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Culture:American
Title:dress: bodice and skirt
Date Made:1879-1880
Type:Clothing
Materials:textile: brown plain weave ribbed silk (faille); brown plain weave cotton lining;
Place Made:United States; Massachusetts (probably)
Measurements:Center Front - CF: 54 in; 137.2 cm
Accession Number:  HD 2011.13.2
Credit Line:Gift of the Estate of Mary Hawks
Museum Collection:  Historic Deerfield
2011-13-2.jpg

Description:
A wedding dress worn by Addie M. Hunt (b.1860), who married Nathaniel L. Berry (or Barry, b. 1860) on March 17, 1880 in Lynn, Massachusetts. The dress is composed of two parts; a long, basque bodice extending down to just above the hips, and a trained skirt featuring puffed folds stitched in place (known as en bouillonnee) and a moderately-sized bustled back drape. This garment may also have been worn by Hunt at a wedding four months earlier, of Anna Louisa Barry (or Berry, b. 1856) and William Morehouse (b.1857) of nearby Beverly, Massachusetts. Historic Deerfield owns Barry's dress (HD 2011.13.1), which is very similar in construction. The connection between the two women is unclear, though Anna Louisa Barry/Berry may be related to Hunt's husband Nathaniel. The survival of these two dresses adds much to our knowledge about late 19th-century dressmaking. Their high-quality construction and attention to detail is identical in many respects, both inside and out, supporting the notion that they were made at the same time, by the same dressmaker in the Essex County area (on the North Shore) of Massachusetts. Taste may account for some of the differences; Barry's dress is more streamlined, favoring the fitted silhouette with lower skirt bustle fashionable at the end of the 1870s, while Hunt appears to have been apprehensive to give up the higher, bulkier bustle of mid-1870s skirts. Other differences probably relate to the original pairing of the two garments at Barry's wedding. The bride's dress is made from a lighter-weight silk and has discreet touches of light blue facing on the bows and pleated belt, supporing the necessary "something blue" mandate of any bride's wedding attire. Although more subdued, Hunt's dress was enlivened with a brightly-colored, dense, small-scale accent fabric with matching buttons and pom-pommed tassels. Both dresses adhere to contemporary advice on wedding attire, which suggested high necklines and long sleeves for modesty. Two dress shields (possibly replacements) are stitched inside the bodice at each armscye underside, stamped "Kleinert's..." Lace edging at collar and cuffs is machine-made Mechlin.

Link to share this object record:
https://museums.fivecolleges.edu/detail.php?t=objects&type=ext&id_number=HD+2011.13.2

Research on objects in the collections, including provenance, is ongoing and may be incomplete. If you have additional information or would like to learn more about a particular object, please email fc-museums-web@fivecolleges.edu.

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