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Culture:American
Title:sofa
Date Made:1760-1785
Type:Furniture
Materials:wood: mahogany, yellow-poplar, white pine, red maple, white ash, birch
Place Made:United States; Pennsylvania; Philadelphia
Measurements:overall: 37 in x 82 1/8 in x 33 in; 93.98 cm x 208.5975 cm x 83.82 cm
Accession Number:  HD 85.005
Credit Line:Gift of Mrs. W. Scott Cluett
Museum Collection:  Historic Deerfield
1985-5t.jpg

Description:
Sofa supported by four straight, fluted legs with thermos bases in the front, and four saber legs at the rear, and an interlocking stretcher base, all beneath a serpentine front rail flanked by rolled arm supports emanating from an arched crest rail. The back is attatched to the tops of the rear legs with screws in the normal manner. Although the front legs lack embellishment, the sofa is exceptional for its small size. The current cover is a wood damask from Classic Revival in Boston, which is a reproduction for an eighteenth-century original wood damask in a private collection in Yorkshire, England. George Alfred Cluett (1873-1955), of Troy, New York, and Williamstown, Massachusetts, collected American furniture from around 1901, shortly after he and Edith Tucker were married, through the mid-1920s. Cluett was prominent among early collectors. For the first museum exhibition of American furniture, The Hudson-Fulton Exhibition, opened at the Metropolitan Museum of Art in 1909, Cluett loaned 22 objects. Cluett, whose family business became Arrow Shirts, finished collecting before Henry Francis DuPont began to amass objects for what became the core of the Winterthur Museum in Delaware. The Cluett family donated most of its collection to Historic Deerfield beginning in 1960, with its last gifts given in 2003. Cluett’s keen connoisseurship, focused on Classical objects (contemporary to his grandparents’ lives) is notable as he collected before the publication of the first seminal reference books on American antiques. Moreover, the early twentieth-century collectors focused on the so-called Pilgrim Century, which predates the Classical era by over one hundred years. Cluett was particularly intrigued by the work of craftsmen including Seymour, McIntire, Phyfe, and Lannuier. Cluett’s desire for privacy, and reverence for times past has long obscured his creative connoisseurship and legacy as one of the earliest and influential collectors of American furniture.

Link to share this object record:
https://museums.fivecolleges.edu/detail.php?t=objects&type=ext&id_number=HD+85.005

Research on objects in the collections, including provenance, is ongoing and may be incomplete. If you have additional information or would like to learn more about a particular object, please email fc-museums-web@fivecolleges.edu.

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