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Five Colleges and Historic Deerfield Museum Consortium

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[AC] Mead Art Museum at Amherst College; [HC] Hampshire College Art Gallery;
[HD] Historic Deerfield; [MH] Mount Holyoke College Art Museum; [MH SK] The Joseph Allen Skinner Museum at Mount Holyoke College; [SC] Smith College Museum of Art; [UM] University Museum of Contemporary Art at UMASS Amherst


Maker(s):Ziegler, Toby; Peers, Joel
Culture:British (1972- ); British (21 century)
Title:Jesus Sandals
Date Made:2010
Materials:cardboard, machine made fleece
Measurements:Overall: 1 5/8 in x 5 in x 11 3/16 in; 4.1 cm x 12.7 cm x 28.4 cm
Accession Number:  AC 2010.182.1,2
Credit Line:Gift of Momart Ltd. (annual gift)

Label Text:
Although within the body flows in equal quantities from high to low and from low to high, there is a bias in favour of that which elevates itself, and human life is erroneously seen as an elevation. The division of the universe into subterranean hell and perfectly pure heaven is na indelible conception, mud and darkness being the principles of evil as light and celestial space are the principles of good: with their feet in mud but their heads more or less in light, men obstinately imagine a tide that will permanently elevate them, never to return, into pure space. Human life entails, in fact, the rage of seeing oneself as a back and forth movement from refuse to the ideal, and from teh ideal to refuse- a rage that is easily directed against an organ as base as the foot...Man willingly imagines himself to be like the god Neptune, stilling his own waves, with majesty; nevertheless, the bellowing waves of the viscera, in more or less incessant inflation and upheaval, brusquely put an end to his dignity. Blind, but tranquil and strangely despising his obscure baseness, a given person, ready to call to mind the grandeurs of human history, as when his glance ascends a monument testifying to the grandeur of his nation, is stopped in mid-flight by an atrocious pain in his big toe because, though the most noble of animals, he nevertheless has corns on his feet; in other words, he has feet, and these feet independently lead an ignoble life. - George Bataille (1920), "The Big Toe" from "Visions of Excess"

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