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Culture:Chinese
Title:teapot
Date Made:ca. 1745
Type:Food Service
Materials:ceramic: hard paste porcelain, overglaze black enamel, gilding
Place Made:China
Measurements:overall: 5 x 7 3/8 x 4 1/8 in.; 12.7 x 18.7325 x 10.4775 cm
Accession Number:  HD 55.155
Museum Collection:  Historic Deerfield

Description:
Chinese export porcelain globular-shaped teapot, cover with an acorn knop, coil handle and straight up-turned spout, decorated en grisaille (or encre de chine or inkware) with the 'Judgment of Paris' pattern. Chinese enamelers developed ink-color decoration as a method of reproducing print images on porcelain for the western market. Dominated by black enamels and washes, ink-color decoration was first produced in the 1730s and remained popular throughout the 18th century. Often period documents refer to this decoration as "pencil'd," reflecting its use of fine brush strokes and black color. Mythological subjects, which were widely used as themes for decorating Chinese porcelains from about 1735 to 1760, were produced along with religious scenes and subjects from literary and artistic sources. Such subjects were often made to the special order of Europeans and shipped back as permitted 'Private Trade.' This scene, perhaps the most popular European design on Chinese porcelain during the 1740s, illustrates the 'fatal error' ("Illiad", Bk. XXIV) where Paris, son of King Priam, angers Hera (the Roman Juno) and Athena (Minerva) by choosing Aphrodite (Venus) as the most beautiful of the three and offering her the golden apple of Discord; each bribed Paris but Aphrodite promised him Helen of Troy, which gave rise to the Trojan War. The most famous depiction of this scene is the c.1517-1520 engraving by Marcantonio Raimondi (c.1470-1527/34) after a c.1510-1520 drawing by Raphael (1483-1520), with whom Raimondi worked closely, from which this version was probably copied. There are at least six variations of the scene, which allowed the innocent painting of beautiful naked ladies, made in a number of different Chinese workshops between about 1740 and 1755; the scene was also popular on European porcelain. The teapot shows Paris seated under a tree, the three goddesss standing in front of him, Cupid plucking at Venus' drapery, a quiver, dalmation-like dog, peacock, and hills in the background.

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