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[AC] Mead Art Museum at Amherst College; [HC] Hampshire College Art Gallery;
[HD] Historic Deerfield; [MH] Mount Holyoke College Art Museum; [MH SK] The Joseph Allen Skinner Museum at Mount Holyoke College; [SC] Smith College Museum of Art; [UM] University Museum of Contemporary Art at UMASS Amherst


Culture:American (19th century)
Title:Feejee Mermaid
Date Made:19th century
Materials:papier mâche; fish skin; animal claws; animal teeth
Measurements:Overall: 14 1/2 in x 5 in x 5 1/2 in; 36.8 cm x 12.7 cm x 14 cm
Accession Number:  AC S.XX.8
Credit Line:Collection of Mead Art Museum, Amherst College

body of fish, grotesque head, fish skeleton, claws, teeth

Label Text:
Manufactured since the seventeenth century from desiccated ape, orangutan, and fish components by tricksters who passed them off as real dried specimens, Feejee mermaids gained notoriety in the nineteenth century. One celebrated example took London by storm in 1822, before P. T. Barnum acquired it in 1842 and toured it first in the northeastern, and later in the southern, United States.

In his accompanying pamphlet A Short History of Mermaids, Barnum capitalized on the popularity of mermaid-type exhibitions in fairs, circuses, and sideshows, which sometimes featured people afflicted with sirenomelia (a congenital condition that fuses the legs) or dugong (aquatic South Pacific mammals related to manatees). Spectators who purchased tickets to any such live or preserved mermaid display must have been surprised by the exhibits’ lack of resemblance to the bare-breasted beauties illustrated in the advertisements.

Long after science disproved the possibility of such a fish-mammal hybrid, the compelling figure of the Feejee mermaid has survived in the popular imagination, most recently in the television series The X-Files and in the 2003 horror film House of 1000 Corpses.

-Stephen Fisher and Elizabeth Barker

2 Related Media Items

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