Search Results:

<< Viewing Record 109 of 585 >>
View : Light Box | List View | Image List | Detailed

[AC] Mead Art Museum at Amherst College; [HC] Hampshire College Art Gallery;
[HD] Historic Deerfield; [MH] Mount Holyoke College Art Museum; [MH SK] The Joseph Allen Skinner Museum at Mount Holyoke College; [SC] Smith College Museum of Art; [UM] University Museum of Contemporary Art at UMASS Amherst


Maker(s):Bellows, George Wesley
Culture:American (1882-1925)
Title:Fern Woods
Date Made:1913
Materials:oil on board
Place Made:United States; Maine; Monhegan Island
Measurements:board: 15 x 19 1/2 in.; 38.1 x 49.53 cm
Accession Number:  AC 1986.124
Credit Line:Gift of Albert Sylvester (Class of 1956), Susan Hopwood, Amy Katoh and Duncan Sylvester in memory of their parents, Albert L. (Class of 1924) and Elizabeth E. Sylvester

Label Text:
Bellows painted Fern Woods on Monhegan Island, off the coast of Maine, where he and his wife, Emma, began summering irregularly in 1911. Thanks to Robert Henri’s enthusiastic endorsement of Monhegan’s rugged and therapeutic beauty, the remote island became a destination for many American painters in the early 20th century. The summer of 1913, from which Fern Woods dates, was a particularly productive period for Bellows. Filled with bold brushwork and adventurous color, the Mead’s painting provides some insight into the burst of confident inspiration the painter experienced. Invigorated by his natural surroundings, Bellows executed an adept painterly study of light and shadow that verges on abstraction.

RRG, 2010

Born in Columbus, Ohio, George Bellows belonged to the Ashcan School, along with Robert Henri and other colleagues. His paintings display a vibrant palette and lively brushwork. He is known for his lush landscapes, poignant portraits of family and friends, and incisive scenes of life in the urban tenement. Bellows was a proficient draftsman and printmaker, and his drawings and prints offer passionate vignettes that investigate life in the boxing ring, as well as social injustices, the agonies of war, and other socio-political issues. Bellows endowed his subjects with animation and confidence. Fern Woods was painted on Monhegan Island, Maine, where Bellows spent many happy days, while The Black Bull depicts a scene from Middletown, Rhode Island, where the Bellows family rented a farmhouse in 1918 and 1919.

<< Viewing Record 109 of 585 >>