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Maker(s):Champney, Maria Mitchell
Culture:American (1876-1906)
Title:photograph: James Wells Champney
Date Made:1900-1903
Type:Photograph
Materials:paper, ink, wood, paint, glass, base metal
Place Made:United States; New York; New York City (probably)
Measurements:Frame: 5 3/8 x 4 5/16 x 5/8 in; 13.7 x 11 x 1.6 cm; Sheet: 4 1/4 x 3 1/8 in; 10.8 x 7.9 cm
Accession Number:  HD 63.348
Credit Line:Gift of Miss Mary W. Wells
Museum Collection:  Historic Deerfield
1963-348_unframedt.jpg

Description:
Framed photograph of an etching of James Wells Champney (1843-1903), which was done on ivory by his daughter, Maria Mitchell Champney Humphreys (1876-1906). The initials "MCH" for Maria Champney Humphreys are found on the lower left corner. Born in Boston, James Champney served in the 45th Massachusetts Volunteers from 1862-1863 before being invalided out of the army; he then taught drawing at Dr. Dio Lewis's "Young Ladies Seminary" from 1864-1866. After deciding to become a professional artist, Champney moved to Europe where he studied in France with Pierre Edouard Frere (1819-1886), a well-known French realist genre painter; in Antwerp with Joseph Francois Henri Van Lerius (1823-1876); and in Italy. In 1870, Champney returned to Boston where he opened a studio; in 1873, he was commissioned by "Scribner's Monthly Magazine" to illustrate "The Great South; A Record of Journeys in Louisiana, Texas, the Indian Territory, Missouri, Arkansas, Mississippi, Alabama, Georgia, Florida, South Carolina, North Carolina, Kentucky, Tennessee, Virginia, West Virginia, and Maryland," a series of articles on the Reconstruction South by Edward King (1848-1896) where the two travelled more than 25,000 miles and Champney contributed at least 500 illustrations. In 1873, Champney married Elizabeth Johnson Williams (1850-1922), whom he had met at the "Young Ladies Seminary;" she was a graduate of the Vassar class of 1869 who became a popular children's author of her period and many of whose whose works Champney illustrated. Born in Springfield, Ohio, Elizabeth Williams was the half-sister of Orson Bennet Williams (1834-1912) and daughter of Samuel Barnard Williams (1803-1884), originally of Deerfield, whose second wife was Caroline Johnson (d.1885) whom he married in 1844; the granddaughter of Elijah Williams (1767-1832) who married Hannah Barnard (1772-1853), daughter of Samuel Barnard (1721-1788) of Deerfield, in 1803; and great-granddaugher of Dr. Thomas Williams (1718-1775) of Deerfield. In 1876 the Champneys moved into Samuel Barnard Williams' house in Deerfield where Champney built a studio; they lived in Deerfield for several years while he was professor of art at Smith College in Northampton, Mass., and one of the founders of the Smith Art Gallery. In 1879, Champney opened a studio in New York City, and from that time on the Deerfield became their summer home. James and Elizabeth had two children: Edward Frere Champney (1874-1929) who studied art and became an architect, and Maria Mitchell Chamoney who was born in Deerfield, married John Sanford Humphreys in 1899, and was a miniature painter. The original etching was in the collection of Dr. George H. Humphreys (1903-2001) of New York City, the son of Maria and John Humphreys, who had been the Valentine Mott Professor Emeritus of Surgery at Columbia-Presbyterian Hospital. The black-painted, molded frame with its wood back and small metal hook for hanging appears to be original.

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https://museums.fivecolleges.edu/detail.php?t=objects&type=ext&id_number=HD+63.348

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