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Maker(s):Deerfield Society of Blue and White Needlework
Culture:American (1896-1926)
Title:table mat
Date Made:1896-1926
Type:Household Accessory; Textile
Materials:textile: polychrome linen embroidery; white, plain-weave linen
Place Made:United States; Massachusetts; Deerfield
Measurements:overall: 11.5 cm; 4 1/2 in
Accession Number:  HD 3122
Museum Collection:  Historic Deerfield

Description:
Circular linen table mat with linen embroidery with an abstracted rose flower amid leaves design in four areas (north/south/east/west orientation) in three shades of blue, plus a pale yellow, concentrated around the perimeter; solidly worked around the edge; and the letter "D" within a flax wheel in the center, marking this piece as produced by the Deerfield Society of Blue and White Needlework (1896-1926). Stitches used include New England laid, satin, outline and French knot. The Deerfield Society of Blue and White Needlework was founded by Deerfield residents Margaret C. Whiting (1860-1946) and Ellen Miller (1854-1929) in 1896. Originally started as a way to preserve and document 18th and early 19th century embroidered bed hangings in New England, the Society quickly became a village-wide industry, and mirrored larger national and international Arts and Crafts interest. Although the original embroideries Whiting and Miller studied were wrought in crewel woolen yarns, these new reproductions utilized cellulosic threads, often linen, which were less susceptible to insect damage. The group’s members, all local women, engaged primarily in the production of domestic textiles, but also made some clothing and accessories. The Society was featured in numerous national exhibitions and publicized in magazines and newspapers throughout its thirty-year history. Both Whiting and Miller created most of the embroidery designs, which embroiderers executed using locally dyed yarns. Favorite stitches included New England laid, satin, herringbone, cross stitch, outline, French knots, blanket, feather, and chain. For most pieces, workers were paid a percentage of the price charged. The Society was well-known for the exacting design and execution standards put forth by its founders; only those pieces that met with their approval were allowed to be embroidered with the Society's seal, an upper case "D" within a flax wheel.

Link to share this object record:
https://museums.fivecolleges.edu/detail.php?t=objects&type=ext&id_number=HD+3122

Research on objects in the collections, including provenance, is ongoing and may be incomplete. If you have additional information or would like to learn more about a particular object, please email fc-museums-web@fivecolleges.edu.

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