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Culture:English
Title:dressing glass
Date Made:1740-1760
Type:Furniture
Materials:wood: mahogany, mahogany veneer, white oak, spruce; base metal: brass; glass, gilding
Place Made:United Kingdom; England
Measurements:overall: 24 x 17 x 7 3/4 in.; 60.96 x 43.18 x 19.685 cm
Accession Number:  HD 2003.21.30
Credit Line:Gift of the Estate of Mrs. W. Scott Cluett
Museum Collection:  Historic Deerfield
2003-21-30t.jpg

Description:
English dressing glass or mirror with a mahogany case. The rectangular swivel glass is in a molded and shaped frame suspended by ringed, brass pins between two canted supports, each of which is topped with a brass finial. The upper edge of the case has a gadrooned, inlaid edge over three drawers with a bombe facade; the two end drawers have brass shaped-ring drop pulls, and the central drawer has a central brass escutcheon (partial label obscured on the back of central drawer). The case is supported on four ogee bracket feet. George Alfred Cluett (1873-1955), of Troy, New York, and Williamstown, Massachusetts, collected American furniture from around 1901, shortly after he and Edith Tucker were married, through the mid-1920s. Cluett was prominent among early collectors. For the first museum exhibition of American furniture, The Hudson-Fulton Exhibition, opened at the Metropolitan Museum of Art in 1909, Cluett loaned 22 objects. Cluett, whose family business became Arrow Shirts, finished collecting before Henry Francis DuPont began to amass objects for what became the core of the Winterthur Museum in Delaware. The Cluett family donated most of its collection to Historic Deerfield beginning in 1960, with its last gifts given in 2003. Cluett’s keen connoisseurship, focused on Classical objects (contemporary to his grandparents’ lives) is notable as he collected before the publication of the first seminal reference books on American antiques. Moreover, the early twentieth-century collectors focused on the so-called Pilgrim Century, which predates the Classical era by over one hundred years. Cluett was particularly intrigued by the work of craftsmen including Seymour, McIntire, Phyfe, and Lannuier. Cluett’s desire for privacy, and reverence for times past has long obscured his creative connoisseurship and legacy as one of the earliest and influential collectors of American furniture.

Link to share this object record:
https://museums.fivecolleges.edu/detail.php?t=objects&type=ext&id_number=HD+2003.21.30

Research on objects in the collections, including provenance, is ongoing and may be incomplete. If you have additional information or would like to learn more about a particular object, please email fc-museums-web@fivecolleges.edu.

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