Geometric patterns
View information about this term in the Library of Congress Subject Headings
Search Results:366 records were found. Viewing Records 253 to 273View : Light Box | List View | Image List | Detailed | [AC] Mead Art Museum at Amherst College; [HC] Hampshire College Art Gallery; |
ID Number
|
Maker
|
Name/Title
|
Date Made
|
|
| SC 1984.35.1b | Anonymous | Man's Ankle Cuff | 1880s-present | View |
| SC 1984.35.3 | Anonymous | Loom Weaving | 1880s-present | View |
| SC 1984.35.6 | Anonymous | Fancy Saddle Blanket | 1880s-present | View |
| SC 1986.56.8 | Kozloff, Joyce; Toland, Lilah Thayer (printed by); Pettengill, Peter (printed by); Lambla, June (printed by) | Homage to Robert Adam | 1980 cast, published 1981 | View |
| SC 1991.39.2 | Albers, Josef | Transformation A | 1950 | View |
| SC 1991.39.3 | Albers, Josef | Transformation B | 1950 | View |
| SC 1991.39.4 | Albers, Josef | Transformation C | 1950 | View |
| SC 1991.39.5 | Albers, Josef | Transformation D | 1950 | View |
| SC 1991.40.1 | Wagner, Merrill | Untitled | 1978-1979 | View |
| SC 1991.48 | Pereira, Irene Rice | Vision | 1945 | View |
| SC 1991.7 | Cumming, Robert H.; Sanchez, Maurice (printed by) | VI Non Specific Tabletop | 1991 | View |
| SC 1992.24.1 | Unknown | Blanket | 20th century | View |
| SC 1992.24.2 | Unknown | Country Cloth | 20th century | View |
| SC 1992.24.3 | Unknown | Blanket | n.d. | View |
| SC 1992.32.1 | Cohen, Alan | Robert Morris 132-1 | 1989 | View |
| SC 1992.32.2 | Cohen, Alan | Robert Morris 133-16 | 1989 | View |
| SC 1992.32.3 | Cohen, Alan | Robert Morris 133-7 | 1989 | View |
| SC 1992.32.4 | Cohen, Alan | Robert Morris 133-10 | 1989 | View |
| SC 1992.32.5 | Cohen, Alan | Robert Morris 133-5 | 1989 | View |
| SC 1992.37.29 | Kennedy, Clarence | Motive in inlaid marbles from the base; Plate IX from Sarcophagus; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture | 1933 | View |
| SC 1992.54.1 | Albers, Josef | Transformation A, from Transformations | 1950 | View |
