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1946 records were found. Viewing Records 1576 to 1596
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[AC] Mead Art Museum at Amherst College; [HC] Hampshire College Art Gallery;
[HD] Historic Deerfield; [MH] Mount Holyoke College Art Museum; [MH SK] The Joseph Allen Skinner Museum at Mount Holyoke College; [SC] Smith College Museum of Art; [UM] University Museum of Contemporary Art at UMASS Amherst

1953_91_107.jpg
SC 1953.91.2.7
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Landscape, with Cattle passing a Ford; No. 107 from Liber Veritatis
1775 plate; 1819 probably printed
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1953_91_170.jpg
SC 1953.91.2.70
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Landscape, with Cattle. Mercury and Battus; No. 170 from Liber Veritatis
1776 plate; 1819 probably printed
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1953_91_171.jpg
SC 1953.91.2.71
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Landscape, with Buildings, and an adjoining Sea View; No. 171 from Liber Veritatis
1776 plate; 1819 probably printed
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1953_91_172.jpg
SC 1953.91.2.72
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Landscape, with Cattle; No. 172 from Liber Veritatis
1776 plate; 1819 probably printed
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1953_91_173.jpg
SC 1953.91.2.73
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Landscape, with Abraham turning out Hagar and her Son; No. 173 from Liber Veritatis
1776 plate; 1819 probably printed
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1953_91_174.jpg
SC 1953.91.2.74
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Landscape with the Angel, Hagar, and her Son; No. 174 from Liber Veritatis
1776 plate; 1819 probably printed
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1953_91_175.jpg
SC 1953.91.2.75
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Landscape, with Figures and Buildings; No. 175 from Liber Veritatis
1776 plate; 1819 probably printed
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1953_91_176.jpg
SC 1953.91.2.76
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Landscape, with Cattle passing a Ford; No. 176 from Liber Veritatis
1776 plate; 1819 probably printed
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1953_91_177.jpg
SC 1953.91.2.77
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Landscape, with Figures and Cattle; No. 177 from Liber Veritatis
1776 plate; 1819 probably printed
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1953_91_178.jpg
SC 1953.91.2.78
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Landscape, with Figures conducting a Victim to a Temple; No. 178 from Liber Veritatis
1776 plate; 1819 probably printed
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1953_91_179.jpg
SC 1953.91.2.79
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Landscape, with magnificent Buildings, and a View of the Sea; No. 179 from Liber Veritatis
1776 plate; 1819 probably printed
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1953_91_108.jpg
SC 1953.91.2.8
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Landscape, with Satyrs and Nymphs dancing; No. 108 from Liber Veritatis
1775 plate; 1819 probably printed
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1953_91_180.jpg
SC 1953.91.2.80
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Landscape, with Aeneas shooting Deer; as related in the first book of Virgil’s Aeneid.; No. 180 from Liber Veritatis
1775; 1819 probably published
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1953_91_181.jpg
SC 1953.91.2.81
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A rich Landscape at Day-break; Jacob represented as striving to detain the Angel. Gen. ch. xxii.v. 26; No. 181 from Liber Veritatis
1776 plate; 1819 probably printed
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1953_91_182.jpg
SC 1953.91.2.82
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Landscape, with a steep Hill and buildings on the summit; a Procession, with Victims; No. 182 from Liber Veritatis
1775; 1819 probably published
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1953_91_183.jpg
SC 1953.91.2.83
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Landscape at Sun-set; both the Effect and Composition uncommonly simple and beautiful. The Cumaean Sibyl conducting Aeneas to the infernal Shades; No. 183 from Liber Veritatis
1777 plate; 1819 probably printed
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1953_91_184.jpg
SC 1953.91.2.84
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
View of a pierced Rock open to the Sea, with an allegorical History introduced; No. 184 from Liber Veritatis
1777 plate; 1819 probably printed
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1953_91_185.jpg
SC 1953.91.2.85
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A View close to the Sea; a Vessel filled with Warriors approaching the Shore. The landing of Aeneas in Italy; No. 185 from Liber Veritatis
1777 plate; 1819 probably printed
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1953_91_186.jpg
SC 1953.91.2.86
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Sea View, with Buildings and many Figures; No. 186 from Liber Veritatis
1777 plate; 1819 probably printed
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1953_91_187.jpg
SC 1953.91.2.87
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Landscape, with a repose in Egypt; No. 187 from Liber Veritatis
1777 plate; 1819 probably printed
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1953_91_188.jpg
SC 1953.91.2.88
Earlom, Richard; Gellée, Claude, called Le Lorrain (after)
A Landscape, with Figures and Cattle; No. 188 from Liber Veritatis
1777 plate; 1819 probably printed
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