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1194 records were found. Viewing Records 1156 to 1176
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[AC] Mead Art Museum at Amherst College; [HC] Hampshire College Art Gallery;
[HD] Historic Deerfield; [MH] Mount Holyoke College Art Museum; [MH SK] The Joseph Allen Skinner Museum at Mount Holyoke College; [SC] Smith College Museum of Art; [UM] University Museum of Contemporary Art at UMASS Amherst

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Kennedy, Clarence
Plate 29: Head, Turned One Third Toward Observer's Left. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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2000_15_30.jpg
SC 2000.15.30
Kennedy, Clarence
Plate 30: Head, in Profile to Observer's Left. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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2000_15_31.jpg
SC 2000.15.31
Kennedy, Clarence
Plate 31: Head; Back, Facing Two Thirds Left. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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2000_15_32.jpg
SC 2000.15.32
Kennedy, Clarence
Plate 32: Head; Back, Facing One Half Left. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friederich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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2000_15_33.jpg
SC 2000.15.33
Kennedy, Clarence
Plate 33: Head; Back, Facing One Third Right. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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2000_15_34.jpg
SC 2000.15.34
Kennedy, Clarence
Plate 34: Whole, Facing Front. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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2000_15_35.jpg
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Kennedy, Clarence
Plate 35: Whole, Back. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friederich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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2000_15_36.jpg
SC 2000.15.36
Kennedy, Clarence
Plate 36: Head, Facing Front. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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2000_15_37.jpg
SC 2000.15.37
Kennedy, Clarence
Plate 37: Head, Turned One Third to Observer's Left. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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2000_15_38.jpg
SC 2000.15.38
Kennedy, Clarence
Plate 38: Head, in Profile to Observer's Right. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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2000_15_39.jpg
SC 2000.15.39
Kennedy, Clarence
Plate 39: Detail of the Neck of the Dress. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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2000_15_43.jpg
SC 2000.15.43
Kennedy, Clarence
Plate 43: Head, Turned Three Quarters toward Observer's Left. from An Unknown Lady; Marble: Number 62; Bargello, Florence. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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2000_15_44.jpg
SC 2000.15.44
Kennedy, Clarence
Plate 44: Head, in Profile to Observer's Right. from An Unknown Lady; Marble: Number 62; Bargello, Florence. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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2000_15_45.jpg
SC 2000.15.45
Kennedy, Clarence
Plate 45: Head, Back, Facing One Half Left. from An Unknown Lady; Marble: Number 62; Bargello, Florence. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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2000_15_50.jpg
SC 2000.15.50
Kennedy, Clarence
Plate 50: Whole, Facing Front. from An Unknown Lady; Stucco: Number 126; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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2000_15_51.jpg
SC 2000.15.51
Kennedy, Clarence
Plate 51: Whole, in Profile to Observer's Right. from An Unknown Lady; Stucco: Number 126; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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2000_15_52.jpg
SC 2000.15.52
Kennedy, Clarence
Plate 52: Head, Facing Front. from An Unknown Lady; Stucco: Number 126; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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2002_34.jpg
SC 2002.34
Ruisdael, Jacob van (attributed to)
Winter Landscape
n.d.
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2003_25.jpg
SC 2003.25
Vanni, Francesco (attributed to)
Untitled [Group of Monks at a Refectory Table with a Saint and a Beggar]
ca. 1600-1602
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SC 2003.26.1
Unknown; Sumiyoshi Jokei (style of)
The Miraculous Origin of Hachiman (Scroll One of a pair)
17th century
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SC 2003.26.2
Unknown; Sumiyoshi Jokei (style of)
The Miraculous Origin of Hachiman (Scroll Two of a pair)
17th century
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