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1190 records were found. Viewing Records 1135 to 1155
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[AC] Mead Art Museum at Amherst College; [HC] Hampshire College Art Gallery;
[HD] Historic Deerfield; [MH] Mount Holyoke College Art Museum; [MH SK] The Joseph Allen Skinner Museum at Mount Holyoke College; [SC] Smith College Museum of Art; [UM] University Museum of Contemporary Art at UMASS Amherst

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Kennedy, Clarence
Plate 12: Whole, Facing Front. from The Young Saint John; Marble: Number 705; The Louvre, Paris. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 13: Head, Facing Almost Front, Turned Slightly Toward Observer's Right. from The Young Saint John; Marble: Number 705; The Louvre, Paris. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 14: Head, Almost in Profile to Observer's Right, Turned Slightly Toward Observer. from The Young Saint John; Marble: Number 705; The Louvre, Paris. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 15: Head, in Profile to Observer's Left. from The Young Saint John; Marble: Number 705; The Louvre, Paris. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 16: Whole, Facing Front. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 17: Whole, in Profile to Observer's Left. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 18: Head, Facing Front. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 19: Head, Turned Two Thirds Toward Observer's Right. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 20: Head, in Profile to Observer's Right. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 21: Head, Turned One Third Toward Observer's Left. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 22: Whole, in Profile to Observer's Right. from The Young Saint John; Marble: Number 91; Bargello, Florence. Attributed to Atonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 23: Whole, Turned Slightly Farther than in Profile to Observer's Left. from The Young Saint John; Marble: Number 91; Bargello, Florence. Attributed to Atonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 24: Head, in Profile toward Observer's Left. from The Young Saint John; Marble: Number 91; Bargello, Florence. Attributed to Atonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 25: Whole, Facing Front. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 26: Whole, in Profile to Observer's Right. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 27: Whole, Back. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 28: Head, Facing Front. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 29: Head, Turned One Third Toward Observer's Left. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 30: Head, in Profile to Observer's Left. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 31: Head; Back, Facing Two Thirds Left. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 32: Head; Back, Facing One Half Left. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friederich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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