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3819 records were found. Viewing Records 2941 to 2961
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[AC] Mead Art Museum at Amherst College; [HC] Hampshire College Art Gallery;
[HD] Historic Deerfield; [MH] Mount Holyoke College Art Museum; [MH SK] The Joseph Allen Skinner Museum at Mount Holyoke College; [SC] Smith College Museum of Art; [UM] University Museum of Contemporary Art at UMASS Amherst

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Kennedy, Clarence
Plate 24: Head, in Profile toward Observer's Left. from The Young Saint John; Marble: Number 91; Bargello, Florence. Attributed to Atonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 25: Whole, Facing Front. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 26: Whole, in Profile to Observer's Right. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 27: Whole, Back. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 28: Head, Facing Front. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 29: Head, Turned One Third Toward Observer's Left. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 3: Head, Turned One Third Toward Observer's Right. from "A Princess of the House of Naples;" Marble: Number 339; Kaiser-Friedrich-Museum, Berlin. Francesco Laurana; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 30: Head, in Profile to Observer's Left. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 31: Head; Back, Facing Two Thirds Left. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 32: Head; Back, Facing One Half Left. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friederich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 33: Head; Back, Facing One Third Right. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 34: Whole, Facing Front. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 35: Whole, Back. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friederich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 36: Head, Facing Front. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 37: Head, Turned One Third to Observer's Left. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 38: Head, in Profile to Observer's Right. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 39: Detail of the Neck of the Dress. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 4: Head, in Profile to Observer's Right. from "A Princess of the House of Naples" Marble: Number 339; Kaiser-Friedrich-Museum, Berlin. Francesco Laurana; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 40: Whole, Facing Front. from An Unknown Lady; Marble: Number 621; the Louvre, Paris. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 41: Head, In Profile to Observer's Right. from An Unknown Lady; Marble: Number 621; the Louvre, Paris. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 42: Head: Back, Facing One Half Left. from An Unknown Lady; Marble: Number 621; the Louvre, Paris. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928

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