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1194 records were found. Viewing Records 1135 to 1155
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[AC] Mead Art Museum at Amherst College; [HC] Hampshire College Art Gallery;
[HD] Historic Deerfield; [MH] Mount Holyoke College Art Museum; [MH SK] The Joseph Allen Skinner Museum at Mount Holyoke College; [SC] Smith College Museum of Art; [UM] University Museum of Contemporary Art at UMASS Amherst

SC 1996.22.22 Kennedy, Clarence Plate 28: Head, Facing Front. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture n.d.	SC 1996.22.36 Kennedy, Clarence Dreyfus Madonna (attributed to Desiderio da Settignano) n.d.	SC 1996.22.37 Kennedy, Clarence Dreyfus Madonna (attributed to Desiderio da Settignano) n.d.
SC 1997.21.4 Unknown; Kano School (attributed to) Screen: Four Panel: Landscape 18th century	SC 2000.15.12 Kennedy, Clarence Plate 12: Whole, Facing Front. from The Young Saint John; Marble: Number 705; The Louvre, Paris. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.13 Kennedy, Clarence Plate 13: Head, Facing Almost Front, Turned Slightly Toward Observer's Right. from The Young Saint John; Marble: Number 705; The Louvre, Paris. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928
SC 2000.15.14 Kennedy, Clarence Plate 14: Head, Almost in Profile to Observer's Right, Turned Slightly Toward Observer. from The Young Saint John; Marble: Number 705; The Louvre, Paris. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.15 Kennedy, Clarence Plate 15: Head, in Profile to Observer's Left. from The Young Saint John; Marble: Number 705; The Louvre, Paris. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.16 Kennedy, Clarence Plate 16: Whole, Facing Front. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928
SC 2000.15.17 Kennedy, Clarence Plate 17: Whole, in Profile to Observer's Left. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.18 Kennedy, Clarence Plate 18: Head, Facing Front. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.19 Kennedy, Clarence Plate 19: Head, Turned Two Thirds Toward Observer's Right. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928
SC 2000.15.20 Kennedy, Clarence Plate 20: Head, in Profile to Observer's Right. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.21 Kennedy, Clarence Plate 21: Head, Turned One Third Toward Observer's Left. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.22 Kennedy, Clarence Plate 22: Whole, in Profile to Observer's Right. from The Young Saint John; Marble: Number 91; Bargello, Florence. Attributed to Atonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928
SC 2000.15.23 Kennedy, Clarence Plate 23: Whole, Turned Slightly Farther than in Profile to Observer's Left. from The Young Saint John; Marble: Number 91; Bargello, Florence. Attributed to Atonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.24 Kennedy, Clarence Plate 24: Head, in Profile toward Observer's Left. from The Young Saint John; Marble: Number 91; Bargello, Florence. Attributed to Atonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.25 Kennedy, Clarence Plate 25: Whole, Facing Front. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928
SC 2000.15.26 Kennedy, Clarence Plate 26: Whole, in Profile to Observer's Right. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.27 Kennedy, Clarence Plate 27: Whole, Back. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.28 Kennedy, Clarence Plate 28: Head, Facing Front. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928

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