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181 records were found. Viewing Records 106 to 126
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[AC] Mead Art Museum at Amherst College; [HC] Hampshire College Art Gallery;
[HD] Historic Deerfield; [MH] Mount Holyoke College Art Museum; [MH SK] The Joseph Allen Skinner Museum at Mount Holyoke College; [SC] Smith College Museum of Art; [UM] University Museum of Contemporary Art at UMASS Amherst

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Kennedy, Clarence
Plate 62: Whole, Facing Front. from Filippo Strozzi; Marble: Number 693; The Louvre, Paris. Benedetto Da Maiano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 63: Head, Facing Front. from Filippo Strozzi; Marble: Number 693; The Louvre, Paris. Benedetto Da Maiano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 64: Head, Almost in Profile to Observer's Left. from Filippo Strozzi; Marble: Number 693; The Louvre, Paris. Benedetto Da Maiano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 65: Head, in Profile to Observer's Left. from Filippo Strozzi; Marble: Number 693; The Louvre, Paris. Benedetto Da Maiano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 66: Head; Back, Facing One Half Left. from Filippo Strozzi; Marble: Number 693; The Louvre, Paris. Benedetto Da Maiano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 7: Base; Relief to Her Right: Reclining Figure. from "A Princess of the House of Naples;" Marble: Number 339; Kaiser-Friedrich-Museum, Berlin. Francesco Laurana; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 8: Base; Relief to Her Left: Reclining Figure. from "A Princess of the House of Naples;" Marble: Number 339; Kaiser-Friedrich-Museum, Berlin. Francesco Laurana; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 9: Head, in Profile to Observer's Right. from Matteo Palmieri; Marble: Number 160; Bargello, Florence. Antonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Portfolio for Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Portfolio for Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 1: The Tabernacle, with the Figures Supporting the Candelabra, and the Pieta, as Reconstructed in 1677; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 10: Figure Whose Left Hand Supports Candelabrum. Head, Facing One Fourth Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 11: Figure Whose Left Hand Supports Candelabrum. Head, Facing One Half Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 12: Figure Whose Left Hand Supports Candelabrum. Head, in Profile to Observer's Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 13: Figure Whose Left Hand Supports Candelabrum. Left Hand and Drapery; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 14: Figure Whose Left Hand Supports Candelabrum. Legs Facing One Half Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 15: Figure Whose Right Hand Supports Candelabrum. Whole, Facing One Third Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 16: Figure Whose Right Hand Supports Candelabrum. Whole, Facing Two Thirds Left; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 17: Figure Whose Right Hand Supports Candelabrum. Head, Facing One Half Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 18: Figure Whose Right Hand Supports Candelabrum. Head, in Profile to Observer's Left; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 19: Figure Whose Right Hand Supports Candelabrum. Right Arm; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.

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