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199 records were found. Viewing Records 85 to 105
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[AC] Mead Art Museum at Amherst College; [HC] Hampshire College Art Gallery;
[HD] Historic Deerfield; [MH] Mount Holyoke College Art Museum; [MH SK] The Joseph Allen Skinner Museum at Mount Holyoke College; [SC] Smith College Museum of Art; [UM] University Museum of Contemporary Art at UMASS Amherst

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Kennedy, Clarence
Plate 43: Head, Turned Three Quarters toward Observer's Left. from An Unknown Lady; Marble: Number 62; Bargello, Florence. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 44: Head, in Profile to Observer's Right. from An Unknown Lady; Marble: Number 62; Bargello, Florence. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 45: Head, Back, Facing One Half Left. from An Unknown Lady; Marble: Number 62; Bargello, Florence. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 46: Whole, Facing Front. from An Unknown Lady; Wood: Number 622; the Louvre, Paris. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 47: Whole, in Profile to Observer's Right. from An Unknown Lady; Wood: Number 622; the Louvre, Paris. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 48: Head, Facing Front. from An Unknown Lady; Wood: Number 622; the Louvre, Paris. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 49: Head, Turned One Half Toward Observer's Right. from An Unknown Lady; Wood: Number 622; the Louvre, Paris. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 5: Head; Back, Facing One Third Left. from "A Princess of the House of Naples;" Marble: Number 339; Kaiser-Friedrich-Museum, Berlin. Francesco Laurana; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 50: Whole, Facing Front. from An Unknown Lady; Stucco: Number 126; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 51: Whole, in Profile to Observer's Right. from An Unknown Lady; Stucco: Number 126; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 52: Head, Facing Front. from An Unknown Lady; Stucco: Number 126; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 53: Whole. from A Sibyl; Marble: Number 135; Kaiser-Friedrich-Museum, Berlin. In the Manner of Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 54: Head, in Profile to Observer's Right. from A Sibyl; Marble: Number 135; Kaiser-Friedrich-Museum, Berlin. In the Manner of Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 55: Hand. from A Sibyl; Marble: Number 135; Kaiser-Friedrich-Museum, Berlin. In the Manner of Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 56: Whole, Facing Front. from "Giovanni Ruccellai;" Stucco: Number 234; Kaiser-Friedrich-Museum, Berlin. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 57: Whole, In Profile to Observer's Right. from "Giovanni Ruccellai;" Stucco: Number 234; Kaiser-Friedrich-Museum, Berlin. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 58: Head, Facing Front. from "Giovanni Ruccellai;" Stucco: Number 234; Kaiser-Friedrich-Museum, Berlin. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 59: Head, Turned One Third Toward Observer's Right. from "Giovanni Ruccellai;" Stucco: Number 234; Kaiser-Friedrich-Museum, Berlin. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 6: Base; Name Plate, Now Blank. from "A Princess of the House of Naples;" Marble: Number 339; Kaiser-Friedrich-Museum, Berlin. Francesco Laurana; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 60: Head, Turned Slightly to Observer's Left. from "Giovanni Ruccellai;" Stucco: Number 234; Kaiser-Friedrich-Museum, Berlin. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Plate 61: Head, in Profile to Observer's Left. from "Giovanni Ruccellai;" Stucco: Number 234; Kaiser-Friedrich-Museum, Berlin. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928

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