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199 records were found. Viewing Records 43 to 63
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[AC] Mead Art Museum at Amherst College; [HC] Hampshire College Art Gallery;
[HD] Historic Deerfield; [MH] Mount Holyoke College Art Museum; [MH SK] The Joseph Allen Skinner Museum at Mount Holyoke College; [SC] Smith College Museum of Art; [UM] University Museum of Contemporary Art at UMASS Amherst

SC 2000.14.6 Kennedy, Clarence Plate 11: Porch of the Maidens, Seen through the North Door of the Propylaea; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture n.d.	SC 2000.14.7 Kennedy, Clarence Plate 12: North Porch from the Southwest; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture n.d.	SC 2000.14.8 Kennedy, Clarence Plate 13: North Porch form the Northwest; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture n.d.
SC 2000.14.9 Kennedy, Clarence Plate 17: Base of the Northeast Corner Column of the Porch; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture n.d.	SC 2000.14a Kennedy, Clarence Portfolio for Part One, The Erectheion; Vol I; Studies in the History and Criticism of Sculpture n.d.	SC 2000.15.1 Kennedy, Clarence Plate I: Whole, Facing Front. from "A Princess of the House of Naples;" Marble: Number 339; Kaiser-Friedrich-Museum, Berlin. Francesco Laurana; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928
SC 2000.15.10 Kennedy, Clarence Plate 10: Head, Turned Slightly Farther than in Profile to Observer's Left. from Matteo Palmieri; Marble: Number 160; Bargello, Florence. Antonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.11 Kennedy, Clarence Plate 11: Head, Back, Facing One Half Left. from Matteo Palmieri; Marble: Number 160; Bargello, Florence. Antonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.12 Kennedy, Clarence Plate 12: Whole, Facing Front. from The Young Saint John; Marble: Number 705; The Louvre, Paris. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928
SC 2000.15.13 Kennedy, Clarence Plate 13: Head, Facing Almost Front, Turned Slightly Toward Observer's Right. from The Young Saint John; Marble: Number 705; The Louvre, Paris. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.14 Kennedy, Clarence Plate 14: Head, Almost in Profile to Observer's Right, Turned Slightly Toward Observer. from The Young Saint John; Marble: Number 705; The Louvre, Paris. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.15 Kennedy, Clarence Plate 15: Head, in Profile to Observer's Left. from The Young Saint John; Marble: Number 705; The Louvre, Paris. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928
SC 2000.15.16 Kennedy, Clarence Plate 16: Whole, Facing Front. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.17 Kennedy, Clarence Plate 17: Whole, in Profile to Observer's Left. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.18 Kennedy, Clarence Plate 18: Head, Facing Front. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928
SC 2000.15.19 Kennedy, Clarence Plate 19: Head, Turned Two Thirds Toward Observer's Right. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.2 Kennedy, Clarence Plate 2: Head, Facing Front. from "A Princess of the House of Naples;" Marble: Number 339; Kaiser-Friedrich-Museum, Berlin. Francesco Laurana; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.20 Kennedy, Clarence Plate 20: Head, in Profile to Observer's Right. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928
SC 2000.15.21 Kennedy, Clarence Plate 21: Head, Turned One Third Toward Observer's Left. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.22 Kennedy, Clarence Plate 22: Whole, in Profile to Observer's Right. from The Young Saint John; Marble: Number 91; Bargello, Florence. Attributed to Atonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928	SC 2000.15.23 Kennedy, Clarence Plate 23: Whole, Turned Slightly Farther than in Profile to Observer's Left. from The Young Saint John; Marble: Number 91; Bargello, Florence. Attributed to Atonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture 1928

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