The print is a scene of the harbor at Canton with several Chinese junks and sampans at anchor, in the background are the foreign factories or hongs where the western merchants lived and transacted business, the flags of individual trading nations fly before each building, this area was the only place that western traders were permitted to live besides Portuguese colony of Macao, western traders were not allowed to travel into the city of Canton or into the interior of China, on the lower left is inscribed "Metz del."; in the center is "CANTON IN CHINA" and on the lower right is "Heath sculp." The image was originally drawn by Conrad Martin Metz , a German draughtsman, printmaker, and painter, who immigrated to London, England, (1749 - 1827), and engraved by James Heath (1757 - 1834), an English printmaker based in London. In other versions of this image - see example 1875,0710.2861 in the British Museum collection -, the print has the inscription "Published as the Act directs by Harrison & Co March 1, 1785." This image was originally designed as a book illustration for Martyn's Geography, but was subsequently produced as a separate print. This print also appears as an illustration in "A New and Complete System of Universal Geography" by Christopher Kelly, London, 1816, From Wikipedia website is a short biography of James Heath: "Heath was born in Newgate, London, the son of George Heath, a bookbinder (d. 1773). He was articled to the engraver Joseph Collyer the younger, an exacting master who required steady application from his pupil - as a result, Heath acquired a great mechanical skill in his art. His earliest engravings were of portraits in the collected edition of Horace Walpole's works. He was subsequently employed to engrave Thomas Stothard's designs for Harrison's "The Novelist's Magazine" and Bell's "Poets of Great Britain", and the taste and dexterity with which he rendered these small illustrations brought this style of illustration into great popularity. He made many engravings after artists such as Stothard, Smirke, and others, and these were to be found in publications such as: Sharpe's "British Classics", the "Lady's Poetical Magazine", Forster's "Arabian Nights", Glover's "Leonidas", and many similar editions of popular works.He engraved some of the plates for John Boydell's "Shakespeare" and also, in 1802, published his own six-volume illustrated edition of Shakespeare. In 1780, he exhibited three engravings at the exhibition of the Society of Artists. In 1791, he was elected an associate engraver of the Royal Academy, and, in 1794, was appointed historical engraver to George III, continuing in that post under successive sovereigns until his death. He engraved some large plates, notably "The Dead Soldier" (after Joseph Wright of Derby), "The Death of Nelson" (after Benjamin West), "The Riots in Broad Street. 1780" (after Francis Wheatley, "The Death of Major Pierson" (after J S Copley), "Titian's daughter" (after Titian),"The Holy Family" and "The Good Shepherd" (after Murillo), "The Holy family" (after Raphael) etc. He worked first in stipple and afterwards in line, sometimes in conjunction with others, keeping a large number of pupils working under his direction. He re-engraved the existing set of Hogarth's plates, and completed the engravings of Stothard's "Canterbury Pilgrims", left unfinished by Schiavonetti at his death. He also engraved numerous portraits. Heath amassed a considerable fortune, but lost much property by a fire in 1789. About 1823 he retired from his profession and his stock of proofs and other engravings was dispersed by auction in that year. Around 1777, he married Elizabeth Thomas (daughter of the Rev. Dr. Thomas, a Welsh clergyman), and they had one son, George Heath, who became a Serjeant-at-law. His illegitimate son was Charles Heath (1785-1848), also a notable engraver.
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