Description:
Framed oil portrait of Stephen Ashley Hubbard (1827-1890) by Erastus Salisbury Field (1805-1900) in the winter of 1836-1837 which inscribed in pencil on the upper left of the strainer, "Stephen A. Hubbard." Son of Ashley Hubbard (1792-1861) and his second wife, Betsey Dole Hubbard (1794-1862), Stephen married Elizabeth, daughter of James and Jane Munro Boyd of Winsted, Conn., where he moved in 1853; by 1861, he had moved to Hartford, Conn. where he became the managing editor of the "Hartford Courant." This portrait descended in the Hubbard family of Stephen's older brother, Parker Dole Hubbard (1825-1895), who inherited the Hubbard Tavern in the Plumtrees district of Sunderland. The painting descended to Parker Dole Hubbard (1919-1994), son of George Caleb Hubbard (b.1878) and Florence Graves Hubbard, grandson of Parker Dole Hubbard and Elizabeth Newton Hubbard (1842-1915), great-grandson of Ashley Hubbard and Betsey Dole Hubbard, and great-great-grandson of Caleb Hubbard (1759-1850) and Lucretia Ashley Hubbard (1767-1853). Born in Leverett, Mass., Field worked mainly painting the middle-class citizens of rural New England. Though he studied painting with Samuel F. B. Morse (1791-1872) in New York for 3 months from Dec. 1824 to Feb. 1825, Field continued to paint in a country style. His portraits, with their flat compositions and blunt directness, were popular in rural towns and small cities along the Connecticut River Valley, from Greenfield and Northampton in the north to Hartford and New Haven in the south. His rapid style conveyed details of clothing and facial expressions with minimum brushwork; Field could complete a full portrait of an adult sitter in a day's time at a cost of $5, and created over 1500 paintings over his career. Although each portrait captures a distinct personality, his portraits share stiffly formal characteristics such as refined silk dresses, woolen coats, and mahogany furniture, along with other symbols of fashion, status, education, and civic-mindedness. The early portraits often depict their subjects with triangular-shaped shoulders and elf-like ears. After decades as an itinerant portrait painter, Field met the new competition from photography (introduced by his former teacher, Morse) by using the technology to provide his portraits with sharper realism; he later became interested in romantic, imaginative landscapes that illustrate religious allegories, and political and historical narratives, the best-known being his "Historical Monument of the American Republic" in the Museum of Fine Arts, Springfield, Mass. The nephew of Lucretia Ashley Hubbard and Caleb Hubbard, Field stayed with the Hubbard family in Plumtrees from 1836, off and on during his career, and painted 11 members of the family. HD's collection of Hubbard family portraits by Field include: Caleb Hubbard (HD 89.044) and his wife, Lucretia Ashley Hubbard (HD 89.045); daughter Harriet Henderson Hubbard (2005.12.2); their son, Ashley Hubbard (HD 89.010) and two of his wife, Betsy Dole Hubbard (HD 89.010 and 89.046); and children, Israel Wales Hubbard (HD 2005.1), Nancy Henderson Hubbard (HD 2012.6), Parker Dole Hubbard (2005.21), Stephen Ashley Hubbard (HD 91.002), and Elizabeth Peck Hubbard (HD 91.002). The half-length portrait of the 10 yr. boy has dark brown hair, and is wearing a white shirt, cravat, buttoned yellow vest, and dark coat with broad lapels. This is the same vest and coat as worn by his older half-brother, Israel Wales Hubbard (1820-1839) in his portrait, HD 2005.12.1, and his older brother, Parker Dole Hubbard (1825-1895) in his portrait, HD 2005.21.There are two photographs of Stephen as a man and one of his wife in a photograph album, HD 89.130, that descended in the Hubbard family.
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https://museums.fivecolleges.edu/detail.php?t=objects&type=ext&id_number=HD+91.001 |
