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[AC] Mead Art Museum at Amherst College; [HC] Hampshire College Art Gallery;
[HD] Historic Deerfield; [MH] Mount Holyoke College Art Museum; [MH SK] The Joseph Allen Skinner Museum at Mount Holyoke College; [SC] Smith College Museum of Art; [UM] University Museum of Contemporary Art at UMASS Amherst

 


Maker(s):Pillement, Jean Baptiste; Allen, Anne
Culture:French (1728-1808); British (active 1790-1800)
Title:Ornament Design from 'Nouvelle suite de cahiers chinois a l'usage des dessinateurs et des peintres. Inventés et dessinés par Jean Pillement. Gravés par Anne Allen'
Date Made:ca. 1796-1798
Type:Print
Materials:etching with colored inks à la poupé on off-white laid paper
Place Made:Europe; France; Paris
Measurements:Sheet: 8 7/8 in x 7 1/16 in; 22.5 cm x 17.9 cm; Plate/Image: 7 5/8 in x 5 7/16 in; 19.4 cm x 13.8 cm
Accession Number:  AC 2012.325
Credit Line:Purchase with the Samuel B. Cummings (Class of 1926) Art Fund
2012-325.jpg

Label Text:
Anne Allen etched this image from the design by Jean Baptiste Pillement

Pillement, the designer of this imaginative scene, ranks among the most prolific developers of “chinoiserie”: a style of Western decoration featuring exotic, often purely fantastical motifs, whose name (French for “Chinese-esque”) misleadingly suggests a direct relationship to Chinese art. In a peripatetic career that took him across Europe, and brought him into collaboration with many printmakers, Pillement’s imagination never waned, and his innumerable designs would be adapted for use in textiles, wallpapers, tableware, and furniture—readily recognizable images that continue to epitomize the Rococo style today.

The etcher of Amherst’s sheet stands as the most effective translator of Pillement’s work: Anne Allen, who encountered the French-born designer in London (where he passed the longest sojourn of his career), and who began making prints after his designs in the 1770s. In 1799, following the death of his first wife, the two married, and continued their artistic collaboration.

Allen printed the present work using the latest method in color printing: applying different hues of ink to selected portions of each plate using a dauber. That tool’s shape (comprised of a round head on a straight handle) inspired the technical term for this method of printing: “à la poupée,” French for “with the doll.”
EEB

Tags:
machines; men; fishing; fish; speed; design; vegetation; writing; rivers; boats

Link to share this object record:
https://museums.fivecolleges.edu/detail.php?t=objects&type=ext&id_number=AC+2012.325

Research on objects in the collections, including provenance, is ongoing and may be incomplete. If you have additional information or would like to learn more about a particular object, please email fc-museums-web@fivecolleges.edu.

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