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[AC] Mead Art Museum at Amherst College; [HC] Hampshire College Art Gallery;
[HD] Historic Deerfield; [MH] Mount Holyoke College Art Museum; [MH SK] The Joseph Allen Skinner Museum at Mount Holyoke College; [SC] Smith College Museum of Art; [UM] University Museum of Contemporary Art at UMASS Amherst


Maker(s):Goncharova, Natal'ia Sergeevna
Culture:Russian (1881-1962)
Title:Maiden on the Beast, from the portfolio 'Mystical Images of War'
Date Made:1914
Measurements:Sheet: 12 3/4 x 9 5/8 in.; 32.4 x 24.1 cm
Accession Number:  AC 2001.17.8
Credit Line:Gift of Thomas P. Whitney (Class of 1937)

Label Text:
The Maiden on the Beast refers to the biblical whore of Babylon, mentioned in the book of Revelation. Since the Russian Orthodox canon began to accept the book of Revelation only in the fourteenth century, all related iconography refers to Western models, which already existed at that time. The nude proffers a goblet containing the sweet-tasting drink of evil deeds, and the beast’s tail seductively transforms into the snake of Satan. Woman and beast embody the idea of universal evil. Here they symbolize the military forces against which the Allies are pitted and over which Christian faith alone would prove triumphant.
The title of the print indicates that Goncharova merged two female figures from the Bible: the whore of Babylon and the woman of the Apocalypse, who is associated with Eve and the Virgin Mary. In this print Goncharova also reflects the Russian fascination with Satanism that began with the Symbolists in the nineteenth century and continued throughout the first decades of the twentieth.
BJ, 2014

women; nudes; creatures; figures; abstract

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