Search Results:

<< Viewing Record 2 of 146 >>
View : Light Box | List View | Image List | Detailed

Maker(s):Cole, Thomas
Culture:American, born in England (1801-1848)
Title:The Present
Date Made:1838
Materials:oil on canvas
Measurements:Frame: 53 3/8 in x 74 3/8 in x 6 in; 135.6 cm x 188.9 cm x 15.2 cm; Stretcher: 40 3/4 in x 61 5/8 in; 103.5 cm x 156.5 cm
Accession Number:  AC 1950.190
Credit Line:Purchase
Museum Collection:  Mead Art Museum at Amherst College
A painting of a castle ruin. The castle is situated at the top of a hill. The sun sets behind it, casting shadows toward the viewer. A river is visible behind the castle, as well as wisps of clouds in pink and purple hues.

Label Text:
The leading painter of the so-called “Hudson River School,” Thomas Cole aspired to create what he called “a higher form of landscape painting,” images of nature that transcended topography to provide meditations on history and God. His aspiration culminated in The Course of Empire (1833–36; New-York Historical Society), a series of five large canvases tracing the dramatic rise and fall of a civilization. After his successful debut of The Course of Empire, Cole enjoyed commissions for works on similar themes. The Past and The Present, commissioned by prominent New Yorker Peter Gerard Stuyvesant, belong to that group. The pendant canvases offer two views of a single site, the first showing a jovial gathering for a medieval joust at midday, the second featuring the same place now abandoned, except for a goat herder, who observes the once-glorious castle in ruins at sunset. Cole, who painted these compositions in his Catskill, New York, studio, refuses to reveal what caused this great decline: for contemporary viewers, the financial crash of 1837 may have provided one possible touchstone.

RRG, 2010

In this pair of paintings, Thomas Cole tells the story of one setting affected by the passage of time. The Past depicts a courtly jousting contest on a summer day. From the colorful throng of spectators to the travelers on the distant road, the landscape teems with people. In contrast, the same scene in The Present contains only a lonely goatherd tending his flock. Now long abandoned, the castle lies in ivy-covered ruins, and water covers the fairground. Nature reclaims the land that humans overran in The Past.

The father of the Hudson River School, Cole grew up in an industrial area in England and moved to America as a teenager. According to Sarah Burns, he feared democracy and believed in the cyclical rise and fall of empires. Perhaps
these two paintings are an allegorical warning that even America cannot escape this pattern.

Suzannah Luft, Class of 2008

allegory; landscapes; ruins; castles; goats; farmers; mountains; water; rivers; trees

Link to share this object record:

Research on objects in the collections, including provenance, is ongoing and may be incomplete. If you have additional information or would like to learn more about a particular object, please email

<< Viewing Record 2 of 146 >>