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| Maker(s): | Kandinsky, Wassily | | Culture: | Russian, German, French (1866-1944)
| | Title: | Abstract Composition
| | Date Made: | 1916
| | Type: | Drawing
| | Materials: | India ink, pencil on sketchbook paper
| | Measurements: | Overall: 13 1/2 x 10 in.; 34.3 x 25.4 cm
| | Accession Number: | AC 2001.104
| | Credit Line: | Gift of Thomas P. Whitney (Class of 1937)
| | Museum Collection: | Mead Art Museum at Amherst College
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Label Text: “Every work technically forms in the way in which the cosmos formed—by means of catastrophes, which in the end create a symphony out of the chaotic roar of instruments, called spherical music. The creation of a work is the creation of the world.” In his art Kandinsky aimed to render the laws of the cosmos and the human spirit. He saw himself as a mediator who could sense the vibrations of the world’s soul and convey them to the beholders of his art.
Kandinsky’s so-called organic abstraction contrasts with the clear geometrical shapes of Suprematism and even Cubofuturism. It conveys the seemingly unorganized structures of life, which are full of movement. A diagonal tension dominates this composition, yet many small elements distract the eye, evoking associations with nature. BJ, 2014
Tags: abstract; cosmos; signatures Subjects: signatures (names); Art, Abstract Link to share this object record: https://museums.fivecolleges.edu/detail.php?t=objects&type=ext&id_number=AC+2001.104 |
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