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[AC] Mead Art Museum at Amherst College; [HC] Hampshire College Art Gallery;
[HD] Historic Deerfield; [MH] Mount Holyoke College Art Museum; [MH SK] The Joseph Allen Skinner Museum at Mount Holyoke College; [SC] Smith College Museum of Art; [UM] University Museum of Contemporary Art at UMASS Amherst

 


Maker(s):Ligorano, Nora and Reese, Marshall
Culture:American (b. 1956); American (b. 1955)
Title:Untitled from the portfolio Line Up
Date Made:2006
Type:Print
Materials:Archival pigment inks printed on Innova Smooth cotton high white rag paper
Place Made:Printed at Silicon Gallery Fine Art Prints, Philadelphia, PA
Measurements:Mat: 16 in x 22 in; 40.6 cm x 55.9 cm; Sheet: 10 7/8 in x 16 15/16 in; 27.6 cm x 43 cm; Image: 8 15/16 in x 14 13/16 in; 22.7 cm x 37.6 cm
Narrative Inscription:  SIGNATURE/EDITION: front, lwr. r. (graphite): Ligorano Reese 13/50
Accession Number:  UM 2016.24.2
Credit Line:Gift of Werner H. and Sarah-Ann Kramarsky
UM2016-24-2.jpg

Description:
Black and white photograph with two sections that resemble a mug shot. The left section depicts the head and shoulders of Vice President Dick Cheney holding a sign that says WASHINGTON D.C. POLICE 1.29.2001 and his left index finger pointing up. The right section is a profile view of the same person not holding a sign facing right.

Label Text:
"Enron didn't receive and special treatment. We talked to all kinds of people... Nobody got any special deals." - Dick Cheney, Vice President, January 29 2001, National Energy Policy Development Group meeting

Curatorial Fellowship exhibition: What's So Funny: How Humor Makes Us Think, March 21 - April 28, 2019
The series, Line Up, presents photographs of the Bush administration manipulated into mugshots. The dates shown on the placards held by the public officials represent the dates when the individual, as Ligorno/Reese states, “betrayed the public trust.” The date on George W. Bush’s placard relates to his State of the Union Address during which he began the discussion regarding the fateful “war on terror.” The use of the mugshot was a careful decision made by Ligorno/Reese to comment record-breaking incarceration rate in the U.S.. With their series, Ligorno/Reese argue that the mugshot has now become the prevailing form of American portraiture. The mugshots of Bush and Cheney represent the saturation of political satire in our society today, yet express the serious implications behind the humorous critique.
- Kayla Peterson (M.A. Art History, 2020) and Siyu Shen (M.A. Art History, 2020)

Tags:
male; Political commentary; portraits; profiles

Link to share this object record:
https://museums.fivecolleges.edu/detail.php?t=objects&type=ext&id_number=UM+2016.24.2

Research on objects in the collections, including provenance, is ongoing and may be incomplete. If you have additional information or would like to learn more about a particular object, please email fc-museums-web@fivecolleges.edu.

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