Search Results:

<< Viewing Record 271 of 758 >>
View : Light Box | List View | Image List | Detailed
 


Maker(s):Walker, Kara Elizabeth
Culture:American (1969- )
Title:Crest of Pine Mountain, Where General Polk Fell, from the series Harper's Pictorial History of the Civil War (Annotated)
Date Made:2005 plate; 2005 print
Type:Print
Materials:Offset lithograph and silkscreen on Somerset textured paper
Place Made:North America; United States; New York; New York City
Measurements:Frame: 44 in x 58 in x 2 1/4 in; 111.8 cm x 147.3 cm x 5.7 cm; Sheet: 39 in x 58 in x 2 1/4 in; 99.1 cm x 147.3 cm x 5.7 cm; Image: 16 3/8 in x 34 1/2 in; 41.6 cm x 87.6 cm
Narrative Inscription:  SIGNATURE: recto lwr. r. (pencil): KW ; DATE: recto lwr. r. (pencil): 2005 ; EDITION NUMBER: recto lwr. r. (pencil): 1/35 ; ACCESSION NUMBER: verso lwr. r. (pencil): 2012.14.7 ; INSCRIPTION: verso lwr. r. (stamp in amber ink): [illegible] (inscribed in circle)
Accession Number:  MH 2012.14.7
Credit Line:Purchase with the Susan and Bernard Schilling (Susan Eisenhart, Class of 1932) Fund and the Belle and Hy Baier Art Acquisition Fund
Museum Collection:  Mount Holyoke College Art Museum
mh_2012_14_7_v1.jpg

Description:
Silhouette of a large nude woman in the center, facing and striding left with her arm out in front of her. Behind her, on the right, a smaller silhouette of a figure holding an axe. Both are printed over an image of a small encampment of soldiers - one standing holding a signal flag next to a tent, one sitting on horseback on the left - atop a crest.

Label Text:
Contemporary artist Kara Walker’s work reminds us of the inherent subjectivity of historical perspective. This work is one of 15 prints belonging to Walker’s powerful series in which she enlarges selected images from two volumes of Harper’s Pictorial History of the Civil War (1866–68) and then “annotates” them by superimposing her signature silhouettes, thereby disrupting the original narrative. Walker inserts issues of racial stereotypes, slavery, gender, and the violence of oppression otherwise absent in these mid-19th century representations.

-Ellen Alvord, Weatherbie Curator of Education and Academic Programs, Mount Holyoke College Art Museum (Sept. 2016)

Tags:
diaspora; slavery; African American

Link to share this object record:
https://museums.fivecolleges.edu/detail.php?t=objects&type=ext&id_number=MH+2012.14.7

Research on objects in the collections, including provenance, is ongoing and may be incomplete. If you have additional information or would like to learn more about a particular object, please email fc-museums-web@fivecolleges.edu.

6 Related Media Items

mh_2012_14_7_v1.jpg
mh_2012_14_7_v1.jpg
mh_2012_14_7_v1.jpg
mh_2012_14_7_v2.jpg
mh_2012_14_7_v1.jpg
mh_2012_14_7_v1_cc.jpg
mh_2012_14_7_v1.jpg
mh_2012_14_7_v2_cc.jpg
mh_2012_14_7_v1.jpg
mh_2012_14_7_v1_ref.jpg
mh_2012_14_7_v1.jpg
mh_2012_14_7_v2_ref.jpg
<< Viewing Record 271 of 758 >>