Description:
Fused or Sheffield silver plate, rectangular inkstand with two lead glass bottles with a diamond pattern band around their bodies and silver plate tops, one for ink and one for pounce or sand. Around 1760. Cut-glass bottles with silver mounts began to replace those entirely made of silver. Easier to clean and cheaper to manufacture, these bottle became standard fixtures on the neoclassical inkstand. Every inkstand in silver had its counterpart in Sheffield plate (also known as fused plate), a sandwich of copper between layers of silver. This example might cost about one-third the price of silver, and was just as handsome with its arched, floral decorated thumbpiece attached to one long side, two circular bands for holding the bottles, gadrooned edges, and four ball feet. Letter writing became an established art in the 18th century, one that required particular furniture and equipment. The quill pen (from "penna," Latin for feather) was first used about the 5th century; quills cut from the wing feathers of geese, swans, peacocks, crows, and turkeys were widely used until the 19th century. The point of the quill was cut to the shape of a modern nib with an upward cut to facilitate the flow of ink. The quill’s tip soon lost its sharpness and had to be recut with a pen knife or quill cutter; how the quill was cut depended on the style of writing intended. During the 18th century, ink was commonly made from gall nuts and iron salt, diluted hydrochloric acid, and tinted with a black or blue dye. The pigment was fixed on absorbent writing paper with sand or pounce, the fine powder of gum sandarac, which also prepared the surface of the paper for writing. In the late 18th century, advances in paper technology such as nonabsorbant, highly glazed writing papers, diminished the need for sand or pounce to fix the ink on the page, and few examples are encountered after about 1820. An essential component of all desks and writing sets, the inkwell needed fit on the stand, desk or writing surface, and be sturdy enough to withstand occasional jolts and jostles administered by the writer. The traditional shape of the inkwell was circular, with a fairly shallow indentation into which ink could be poured. If the inkwell was too deep, quill pens would get too saturated with ink to function properly; quill pens were cleaned with lead shot, contained in one of the inkstand’s pots. In the 18th century, instruction in writing, as opposed to reading, began much later at around the age of nine or ten. The postponement of penmanship was a direct consequence of using quills as the writing instrument; it was thought that children’s hand skills (manual dexterity) needed to be developed enough to cut the quill with a knife and convey ink to paper. Quill pens were eventually replaced by steel pen-nibs, a model of which was patented in 1831 by Birmingham button maker Joseph Gillott (1799-1872). In the mid 19th century, inkstands with quill holes began to be replaced by those with pen racks. Letters were folded on themselves and secured with a lump of sealing wax or gummed wafers, prior to the invention of envelopes with a gummed flap. There is a "#4" scratched on the base.
Subjects:
Glass; Copper Link to share this object record:
https://museums.fivecolleges.edu/detail.php?t=objects&type=ext&id_number=HD+74.009 |
