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Culture:Chinese
Title:teapot stand
Date Made:ca. 1750
Type:Food Service
Materials:ceramic: hard paste porcelain, overglaze polychrome enamels, gilding
Place Made:China
Measurements:Overall: 11/16 x 5 1/8 x 4 3/4 in; 1.7 x 13 x 12.1 cm
Accession Number:  HD 70.167
Museum Collection:  Historic Deerfield

Description:
Chinese export porcelain fluted hexagonal or six-sided teapot stand decorated with a lotus-petal design in the Famille rose palette of pinks, iron red, and gilding. The Chinese considered the lotus ('nelumbo nucifero'), a plant native to China, to be a powerful symbol with several meanings: association with harmony since the Chinese name, 'hehua', and the word for harmony have the same pronunciation; symbol of Buddha representing his purity and transcendence; symbol of fertility and abundance with its seed pod representing the wish for many children, especially sons; and symbol of Daoism where it is the emblem of 'He Xian Gu', one of the eight Daoist immortals. The lotus was both a popular design on Chinese porcelain found on ceramics as early as the Han dynasty (206 B.C. - 9 A.D.) and in the export market; while Westerners appreciated the design, few understood its significance to Chinese culture. Godden suggests that the above average quality of many of these wares meant that they were Private Trade goods ordered by the individual supercargoes, but Howard states that it is likely that larger consignments were also ordered by the East India companies. The fluted rim has an iron red band on each side of the gilt band of alternating trelliswork and stylized scrolls panels. The center well has a fourteen-petal pink and iron red lotus, one band of U-shapes, and three gilt band around the center interior.

Subjects:
Pottery; Enamel and enameling; glaze (coating by location); polychrome; Porcelain

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https://museums.fivecolleges.edu/detail.php?t=objects&type=ext&id_number=HD+70.167

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