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Kennedy, Clarence


Nationality: American
Occupation: photographer

Brief bio: American 1892 - 1972

Birth date, place: 1892, United States
Death date, place: 1972, United States

749 Related Objects

1967_71_1.jpg
SC 1967.71.1
Kennedy, Clarence
Plate I: Christ as the Redeemer; Head. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_10.jpg
SC 1967.71.10
Kennedy, Clarence
Plate X: Upper Angel to Observer's Right; Head. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_11.jpg
SC 1967.71.11
Kennedy, Clarence
Plate XI: Upper Angel to Observer's Right; Drapery below waist. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_12.jpg
SC 1967.71.12
Kennedy, Clarence
Plate XII: Upper Angel to Observer's Right; Left foot. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_13.jpg
SC 1967.71.13
Kennedy, Clarence
Plate XIII: Lower Angel to Observer's Left; Head, facing slightly right, as seen from in front. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_14.jpg
SC 1967.71.14
Kennedy, Clarence
Plate XIV: Lower Angel to Observer's Left; Right wing. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_15.jpg
SC 1967.71.15
Kennedy, Clarence
Plate XV: Lower Angel to Observer's Left; Drapery over the hips. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_16.jpg
SC 1967.71.16
Kennedy, Clarence
Plate XVI: Lower Angel to Observer's Left; Hands and arms. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_17.jpg
SC 1967.71.17
Kennedy, Clarence
Plate XVII: Lower Angel to Observer's Left; Fold of drapery between the legs. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_18.jpg
SC 1967.71.18
Kennedy, Clarence
Plate XVIII: Lower Angel to Observer's Right; Figure to the waist. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_19.jpg
SC 1967.71.19
Kennedy, Clarence
Plate XIX: Lower Angel to Observer's Right; Head, facing slightly right, as seen from left. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_2.jpg
SC 1967.71.2
Kennedy, Clarence
Plate II: Christ as the Redeemer; Left hand. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_20.jpg
SC 1967.71.20
Kennedy, Clarence
Plate XX: Lower Angel to Observer's Right; Right hand. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_21.jpg
SC 1967.71.21
Kennedy, Clarence
Plate XXI: Lower Angel to Observer's Right; Fold of drapery floating behind the left leg. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_22.jpg
SC 1967.71.22
Kennedy, Clarence
Plate XXII: Lower Angel to Observer's Right; Left foot, with the drapery above the ankle. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_23.jpg
SC 1967.71.23
Kennedy, Clarence
Plate XXIII: Faith; Head, not quite in profile to the right, as seen from in front. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_24.jpg
SC 1967.71.24
Kennedy, Clarence
Plate XXIV: Faith; Left hand, with the drapery over the arm. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_25.jpg
SC 1967.71.25
Kennedy, Clarence
Plate XXV: Faith; Drapery below the waist and over the left thigh. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_26.jpg
SC 1967.71.26
Kennedy, Clarence
Plate XXVI: Faith; Right leg and foot. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_27.jpg
SC 1967.71.27
Kennedy, Clarence
Plate XXVII: Hope; Head in profile to the left, as seen from the right. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_28.jpg
SC 1967.71.28
Kennedy, Clarence
Plate XXVIII: Hope; Hair, veil and wing. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_29.jpg
SC 1967.71.29
Kennedy, Clarence
Plate XXIX: Hope; Fold of drapery falling between the legs. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_3.jpg
SC 1967.71.3
Kennedy, Clarence
Plate III: Christ as the Redeemer; Drapery between the knees. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_30.jpg
SC 1967.71.30
Kennedy, Clarence
Plate XXX: Hope; Drapery floating behind the left leg. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_31.jpg
SC 1967.71.31
Kennedy, Clarence
Plate XXXI: Inscribed Slab; Two putti upholding the inscription. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_32.jpg
SC 1967.71.32
Kennedy, Clarence
Plate XXXII: Inscribed Slab; Head of the putto to observer's right. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_4.jpg
SC 1967.71.4
Kennedy, Clarence
Plate IV: Christ as the Redeemer; Left foot resting on wing of cherub. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_5.jpg
SC 1967.71.5
Kennedy, Clarence
Plate V: Christ as the Redeemer; Head of cherub. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_6.jpg
SC 1967.71.6
Kennedy, Clarence
Plate VI: Upper Angel to Observer's Left; Head, looking to the right, as seen from in front. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_7.jpg
SC 1967.71.7
Kennedy, Clarence
Plate VII: Upper Angel to Observer's Left; Right wing. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_8.jpg
SC 1967.71.8
Kennedy, Clarence
Plate VIII: Upper Angel to Observer's Left; Right hand.Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
1967_71_9.jpg
SC 1967.71.9
Kennedy, Clarence
Plate IX: Upper Angel to Observer's Left; Right foot. Studies in the History and Criticism of Sculpture, Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia.
1932
SC 1967.71a
Kennedy, Clarence; Wilder, Elizabeth
Text (unbound) from The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia. Studies in the History and Criticism of Sculpture, vol. VII.
1932
1967_72_1.jpg
SC 1967.72.1
Kennedy, Clarence
Plate I: Entrance Arch of the Chapel, and the Tomb from The Chapel of the Cardinal of Portugal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_10.jpg
SC 1967.72.10
Kennedy, Clarence
Plate X: Support from Sarcophagus; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_11.jpg
SC 1967.72.11
Kennedy, Clarence
Plate XI: Whole from Putto at the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_12.jpg
SC 1967.72.12
Kennedy, Clarence
Plate XII: Head, Facing Right from Putto at the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_13.jpg
SC 1967.72.13
Kennedy, Clarence
Plate XIII: Head, Facing Left from Putto at the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_14.jpg
SC 1967.72.14
Kennedy, Clarence
Plate XIV: Left Arm and Hand from Putto at the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_15.jpg
SC 1967.72.15
Kennedy, Clarence
Plate XV: Head from Figure of the Cardinal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_16.jpg
SC 1967.72.16
Kennedy, Clarence
Plate XVI: Hands from Above from Figure of the Cardinal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_17.jpg
SC 1967.72.17
Kennedy, Clarence
Plate XVII: Right Pilaster, Flaming Top of a Candelabrum from Pilasters Supporting the Attendant Angels; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_18.jpg
SC 1967.72.18
Kennedy, Clarence
Plate XVIII: Head, Facing Right from Angel Bearing a Crown; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_19.jpg
SC 1967.72.19
Kennedy, Clarence
Plate XIX: Drapery from Angel Bearing a Crown; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_2.jpg
SC 1967.72.2
Kennedy, Clarence
Plate II: Seated Figure Resting against a Lion's Head from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_20.jpg
SC 1967.72.20
Kennedy, Clarence
Plate XX: Foot from Angel Bearing a Crown; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_21.jpg
SC 1967.72.21
Kennedy, Clarence
Plate XXI: Head, in Profile to the Left from Angel Bearing a Palm; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_22.jpg
SC 1967.72.22
Kennedy, Clarence
Plate XXII: Arm from Angel Bearing a Palm; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_23.jpg
SC 1967.72.23
Kennedy, Clarence
Plate XXIII: Foot from Angel Bearing a Palm; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_24.jpg
SC 1967.72.24
Kennedy, Clarence
Plate XXIV: the Virgin and Child from Tondo Relief of the Virgin and Child; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_25.jpg
SC 1967.72.25
Kennedy, Clarence
Plate XXV: Head of the Virgin from Tondo Relief of the Virgin and Child; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_26.jpg
SC 1967.72.26
Kennedy, Clarence
Plate XXVI: Head of the Virgin and Feet of the Child from Tondo Relief of the Virgin and Child; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_27.jpg
SC 1967.72.27
Kennedy, Clarence
Plate XXVII: Cherub's Head in the Frame, to the Virgin's Right from Tondo Relief of the Virgin and Child; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_28.jpg
SC 1967.72.28
Kennedy, Clarence
Plate XXVIII: Detail of the Garland of Fruit from Tondo Relief of the Virgin and Child; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_29.jpg
SC 1967.72.29
Kennedy, Clarence
Plate XXIX: Upper Part of the Figure from Flying Angel Above the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_3.jpg
SC 1967.72.3
Kennedy, Clarence
Plate III: Lion's Head from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_30.jpg
SC 1967.72.30
Kennedy, Clarence
Plate XXX: Hands from Flying Angel Above the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_31.jpg
SC 1967.72.31
Kennedy, Clarence
Plate XXXI: Drapery at the Waist from Flying Angel Above the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_32.jpg
SC 1967.72.32
Kennedy, Clarence
Plate XXXII: Head from Flying Angel Above the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_33.jpg
SC 1967.72.33
Kennedy, Clarence
Plate XXXIII: Feet and Flying Drapery from Flying Angel Above the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_34.jpg
SC 1967.72.34
Kennedy, Clarence
Plate XXXIV: Whole from Cherub's Head at the Top of the Tomb; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_35.jpg
SC 1967.72.35
Kennedy, Clarence
Plate XVa:Hands and Sleeve from Figure of the Cardinal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_4.jpg
SC 1967.72.4
Kennedy, Clarence
Plate IV: Cornucopia from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_5.jpg
SC 1967.72.5
Kennedy, Clarence
Plate V: Head of the Unicorn from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_6.jpg
SC 1967.72.6
Kennedy, Clarence
Plate VI: Garland of Fruit from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_7.jpg
SC 1967.72.7
Kennedy, Clarence
Plate VII: Bull-slayer from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_8.jpg
SC 1967.72.8
Kennedy, Clarence
Plate VIII: Vase from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1967_72_9.jpg
SC 1967.72.9
Kennedy, Clarence
Plate IX: Motive in Inlaid Marbles from the Base from Sarcophagus; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1968_49_1.jpg
SC 1968.49.1
Kennedy, Clarence
Emma-ten (Buddhist King of Hell, Sanskrit: Yama); middle of 12th century; from Kanchi-in (temple), Kyoto; from "Art Treasures from Japan"
1951
1968_49_10.jpg
SC 1968.49.10
Kennedy, Clarence
Long-nosed Goblins; late 13th century; from "Art Treasures from Japan"
1951
1968_49_11.jpg
SC 1968.49.11
Kennedy, Clarence
Life of an Artist; late 13th century; from "Art Treasures from Japan"
1951
1968_49_12.jpg
SC 1968.49.12
Kennedy, Clarence
Life of an Artist; late 13th century; from "Art Treasures from Japan"
1951
1968_49_13.jpg
SC 1968.49.13
Kennedy, Clarence
Life of an Artist; late 13th century; from "Art Treasures from Japan"
1951
1968_49_14.jpg
SC 1968.49.14
Kennedy, Clarence
Life of an Artist; late 13th century; from "Art Treasures from Japan"
1951
1968_49_15.jpg
SC 1968.49.15
Kennedy, Clarence
Life of an Artist; late 13th century; from "Art Treasures from Japan"
1951
1968_49_16.jpg
SC 1968.49.16
Kennedy, Clarence
Life of an Artist; late 13th century; from "Art Treasures from Japan"
1951
1968_49_17.jpg
SC 1968.49.17
Kennedy, Clarence
Life of an Artist; late 13th century; from "Art Treasures from Japan"
1951
1968_49_18.jpg
SC 1968.49.18
Kennedy, Clarence
Life of an Artist; late 13th century; from "Art Treasures from Japan"
1951
1968_49_19.jpg
SC 1968.49.19
Kennedy, Clarence
Story of Haseo; early 14th century; from "Art Treasures from Japan"
1951
1968_49_2.jpg
SC 1968.49.2
Kennedy, Clarence
Arhats (Two of the sixteen images of Buddhist sages); middle of 12th century; from National Museum, Tokyo; from "Art Treasures from Japan"
1951
1968_49_20.jpg
SC 1968.49.20
Kennedy, Clarence
Story of Haseo; early 14th century; from "Art Treasures from Japan"
1951
1968_49_21.jpg
SC 1968.49.21
Kennedy, Clarence
Horse-race in the Royal Palace; early 14th century; from "Art Treasures from Japan"
1951
1968_49_22.jpg
SC 1968.49.22
Kennedy, Clarence
Horse-race in the Royal Palace; early 14th century; from "Art Treasures from Japan"
1951
1968_49_23.jpg
SC 1968.49.23
Kennedy, Clarence
Horse-race in the Royal Palace; early 14th century; from "Art Treasures from Japan"
1951
1968_49_24.jpg
SC 1968.49.24
Kennedy, Clarence
Landscape; attributed to Shubun (died 1470); from "Art Treasures from Japan"
1951
1968_49_25.jpg
SC 1968.49.25
Kennedy, Clarence
Kanzan and Juttoku, the Two Legendary Chinese Priests; middle of 15th century; from "Art Treasures from Japan"
1951
1968_49_26.jpg
SC 1968.49.26
Kennedy, Clarence
Spring Landscape from Spring and Summer Landscapes; by Sesshu (1420-1506); from "Art Treasures from Japan"
1951
1968_49_27.jpg
SC 1968.49.27
Kennedy, Clarence
Hawks (detail showing scene with rabbit); by Sesson (1504-1589); from "Art Treasures from Japan"
1951
1968_49_28.jpg
SC 1968.49.28
Kennedy, Clarence
Peony and Plum Blossoms (detail of bough); by Kaihoku Yusho (1533-1615); from "Art Treasures from Japan"
1951
1968_49_29.jpg
SC 1968.49.29
Kennedy, Clarence
Peony and Plum Blossoms (detail of peonies); by Kaihoku Yusho (1533-1615); from "Art Treasures from Japan"
1951
1968_49_3.jpg
SC 1968.49.3
Kennedy, Clarence
Nirvana; late 12th century; from National Museum, Tokyo; from "Art Treasures from Japan"
1951
1968_49_30.jpg
SC 1968.49.30
Kennedy, Clarence
Eagles and Pines (detail of eagle); by artist of the Kano school, early 17th century; from "Art Treasures from Japan"
1951
1968_49_31.jpg
SC 1968.49.31
Kennedy, Clarence
Westerners in Japan; early 17th century; from "Art Treasures from Japan"
1951
1968_49_32.jpg
SC 1968.49.32
Kennedy, Clarence
Westerners in Japan; early 17th century; from "Art Treasures from Japan"
1951
1968_49_33.jpg
SC 1968.49.33
Kennedy, Clarence
Westerners in Japan; early 17th century; from "Art Treasures from Japan"
1951
1968_49_34.jpg
SC 1968.49.34
Kennedy, Clarence
Autumn Grasses; by Ogata Korin (1655-1716); from "Art Treasures from Japan"
1951
1968_49_35.jpg
SC 1968.49.35
Kennedy, Clarence
In and Around Kyoto (detail of street scene); by Sumiyoshi Gukei (1631-1705); from "Art Treasures from Japan"
1951
1968_49_36.jpg
SC 1968.49.36
Kennedy, Clarence
In and Around Kyoto (detail of a business and street scene); by Sumiyoshi Gukei (1631-1705); from "Art Treasures from Japan"
1951
1968_49_37.jpg
SC 1968.49.37
Kennedy, Clarence
In and Around Kyoto (detail of a poetry lesson); by Sumiyoshi Gukei (1631-1705); from "Art Treasures from Japan"
1951
1968_49_38.jpg
SC 1968.49.38
Kennedy, Clarence
In and Around Kyoto (detail of street scene); by Sumiyoshi Gukei (1631-1705); from "Art Treasures from Japan"
1951
1968_49_39.jpg
SC 1968.49.39
Kennedy, Clarence
In and Around Kyoto (detail of geese in landscape); by Sumiyoshi Gukei (1631-1705); from "Art Treasures from Japan"
1951
1968_49_4.jpg
SC 1968.49.4
Kennedy, Clarence
Manjusri Crossing Over the Ocean; end of 12th century; from Kodai-in (temple), Kyoto; from "Art Treasures from Japan"
1951
1968_49_40.jpg
SC 1968.49.40
Kennedy, Clarence
Horse-race in the Royal Palace; early 14th century; from "Art Treasures from Japan"
1951
1968_49_5.jpg
SC 1968.49.5
Kennedy, Clarence
Manjusri Crossing Over the Ocean; end of 12th century; from Kodai-in (temple), Kyoto; from "Art Treasures from Japan"
1951
1968_49_6.jpg
SC 1968.49.6
Kennedy, Clarence
Bishamon-ten (Buddhist demi-god, Sanskrit: Vaisravana); by Shinkai; late 13th century; from "Art treasures from Japan"
1951
1968_49_7.jpg
SC 1968.49.7
Kennedy, Clarence
Jizo Bosatsu (Buddhist divinity, Sanskrit: Ksitigarbha); early 14th century; from "Art Treasures from Japan"
1951
1968_49_8.jpg
SC 1968.49.8
Kennedy, Clarence
Seats of Courtiers in the Order of Ranks; attributed to an artist of Nobuzane School; late 13th century; from "Art Treasures from Japan"
1951
1968_49_9.jpg
SC 1968.49.9
Kennedy, Clarence
Court guards in Equestrian Training; attributed to Fujiwara Nobuzane; middle of 13th century; from "Art Treasures from Japan"
1951
SC 1968.50.1
Kennedy, Clarence
Untitled
1951
SC 1968.50.2
Kennedy, Clarence
Three Gigaku Masks; 8th century; from "Art Treasures from Japan"
1951
1968_51_1.jpg
SC 1968.51.1
Kennedy, Clarence
Untitled
1951
1968_51_10.jpg
SC 1968.51.10
Kennedy, Clarence
Untitled
1951
1968_51_11.jpg
SC 1968.51.11
Kennedy, Clarence
Untitled
1951
1968_51_12.jpg
SC 1968.51.12
Kennedy, Clarence
Untitled
1951
1968_51_13.jpg
SC 1968.51.13
Kennedy, Clarence
Woman Changing Dress; by Kitagawa Utamaro (1754-1806); from "Art Treasures from Japan"
1951
1968_51_14.jpg
SC 1968.51.14
Kennedy, Clarence
Peony and Plum Blossoms (detail of plum blossom bough); by Kaihoku Yusho (1533-1615); from "Art Treasures from Japan"
1951
1968_51_15.jpg
SC 1968.51.15
Kennedy, Clarence
Untitled
1951
1968_51_16.jpg
SC 1968.51.16
Kennedy, Clarence
Four Bugaku Masks (detail showing Nasori mask); 12th-13th centuries; from "Art Treasures from Japan"
1951
1968_51_17.jpg
SC 1968.51.17
Kennedy, Clarence
Armor with Gradated Purple Lacing, with Helmet and Shoulder-pieces; 13th century; from "Art Treasures from Japan"
1951
1968_51_18.jpg
SC 1968.51.18
Kennedy, Clarence
Konkomyo-saishoo-kyo (Buddhist Scripture), Vol. 8; middle of 8th century; from "Art Treasures from Japan"
1951
1968_51_2.jpg
SC 1968.51.2
Kennedy, Clarence
Peony and Plum Blossoms; by Kaihoku Yusho (1533-1615); from "Art Treasures from Japan"
1951
1968_51_3.jpg
SC 1968.51.3
Kennedy, Clarence
Peony and Plum Blossoms; by Kaihoku Yusho (1533-1615); from "Art Treasures from Japan"
1951
1968_51_4.jpg
SC 1968.51.4
Kennedy, Clarence
Woman Changing Dress; by Kitagawa Utamaro (1754-1806); from "Art Treasures from Japan"
1951
1968_51_5.jpg
SC 1968.51.5
Kennedy, Clarence
Scroll: the Horse-race in the Royal Palace; early 14th century; from "Art Treasures from Japan"
1951
1968_51_6.jpg
SC 1968.51.6
Kennedy, Clarence
Court-guards in Equestrian Training; attributed to Fujiwara Nobuzane; middle of 13th century; from "Art Treasures from Japan"
1951
1968_51_7.jpg
SC 1968.51.7
Kennedy, Clarence
Fragment of the Illustrated Inga-kyo Sutra; 8th century; from "Art Treasures from Japan"
1951
1968_51_8.jpg
SC 1968.51.8
Kennedy, Clarence
Fragment of the Illustrated Inga-kyo Sutra; 8th century; from "Art Treasures from Japan"
1951
1968_51_9.jpg
SC 1968.51.9
Kennedy, Clarence
Birds and Fishes; by Ito Jakuchu (1716-1800); from "Art Treasures from Japan"
1951
1969_50_1.jpg
SC 1969.50.1
Kennedy, Clarence
Eleven-headed Kannon; early 10th century; from "Art Treasures from Japan"
1951
1969_50_10.jpg
SC 1969.50.10
Kennedy, Clarence
Untitled
1951
1969_50_11.jpg
SC 1969.50.11
Kennedy, Clarence
Keko (Two Trays Used in Flower-Sprinkling Ceremony in Buddhist temple); 13th century; from "Art Treasures from Japan"
1951
1969_50_12.jpg
SC 1969.50.12
Kennedy, Clarence
Yakushi Nyorai (Buddhist divinity, Sanskrit: Bhaisajyaguru); 9th century; from "Art Treasures from Japan"
1951
1969_50_13.jpg
SC 1969.50.13
Kennedy, Clarence
Eleven-headed Kannon;early 10th century; from "Art Treasures from Japan"
1951
1969_50_14.jpg
SC 1969.50.14
Kennedy, Clarence
Hosho Nyorai (Buddhist divinity, Sanskrit: Ratnasambhava); late 8th century; from "Art Treasures from Japan"
1951
1969_50_15.jpg
SC 1969.50.15
Kennedy, Clarence
Eleven-headed Kannon;early 10th century; from "Art Treasures from Japan"
1951
1969_50_16.jpg
SC 1969.50.16
Kennedy, Clarence
Eleven-headed Kannon;early 10th century; from "Art Treasures from Japan"
1951
1969_50_17.jpg
SC 1969.50.17
Kennedy, Clarence
Yakushi Nyorai (Buddhist divinity, Sanskrit: Bhaisajyaguru); 9th century; from "Art Treasures from Japan"
1951
1969_50_18.jpg
SC 1969.50.18
Kennedy, Clarence
Ashiya (kettle); 16th century; from "Art Treasures from Japan"
1951
1969_50_19.jpg
SC 1969.50.19
Kennedy, Clarence
Box with Design of Plovers in "Maki-e" (gold lacquer); 13th century; from "Art Treasures from Japan"
1951
1969_50_2.jpg
SC 1969.50.2
Kennedy, Clarence
Waves; by Maruyama Okyo (1733-1795); from "Art Treasures from Japan"
1951
1969_50_20.jpg
SC 1969.50.20
Kennedy, Clarence
Box with Design of Plovers in "Maki-e" (gold lacquer); 13th century; from "Art Treasures from Japan"
1951
1969_50_21.jpg
SC 1969.50.21
Kennedy, Clarence
Armor with Gradated Purple Lacing, with Helmet and Shoulder-pieces; 13th century; from "Art Treasures from Japan"
1951
1969_50_22.jpg
SC 1969.50.22
Kennedy, Clarence
Noh Mask (Ko-omote); 16th-17th centuries; from "Art Treasures from Japan"
1951
1969_50_23.jpg
SC 1969.50.23
Kennedy, Clarence
Three Gigaku Masks; 8th century; from "Art Treasures from Japan"
1951
1969_50_24.jpg
SC 1969.50.24
Kennedy, Clarence
Three Gigaku Masks; 8th century; from "Art Treasures from Japan"
1951
1969_50_25.jpg
SC 1969.50.25
Kennedy, Clarence
Seitaka (Cetaka, One of the Eight Attendants of Fudo Myo-o); 12th century; from "Art Treasures from Japan"
1951
1969_50_26.jpg
SC 1969.50.26
Kennedy, Clarence
Terra-cotta Grave Figure (Head of a Girl); ancient burial mound age; from "Art Treasures from Japan"
1951
1969_50_27.jpg
SC 1969.50.27
Kennedy, Clarence
Torso of Buddha; late 8th century; from "Art Treasures from Japan"
1951
1969_50_28.jpg
SC 1969.50.28
Kennedy, Clarence
Kongo Rikishi (Buddhist Guardian Gods, Sanskrit: Vajirapani); middle of 13th century; from "Art Treasures from Japan"
1951
1969_50_29.jpg
SC 1969.50.29
Kennedy, Clarence
Juni Shinsho (One of the Twelve Escorts of Yakushi Nyorai); middle of 13th century; from "Art Treasures from Japan"
1951
1969_50_3.jpg
SC 1969.50.3
Kennedy, Clarence
Villa at the Foot of Ogurayama Hill; by Okumura Masanobu (1690-1768); from "Art Treasures from Japan"
1951
1969_50_30.jpg
SC 1969.50.30
Kennedy, Clarence
Seitaka (Cetaka, One of the Eight Attendants of Fudo Myo-o); 12th century; from "Art Treasures from Japan"
1951
1969_50_31.jpg
SC 1969.50.31
Kennedy, Clarence
Sword Mounting of "Tachi" Type; 10th century; from "Art Treasures from Japan"
1951
1969_50_32.jpg
SC 1969.50.32
Kennedy, Clarence
Dotaku; about 1st century B.C.; from "Art Treasures from Japan"
1951
1969_50_33.jpg
SC 1969.50.33
Kennedy, Clarence
Dotaku (bell-shaped bronze); about 1st century B.C.; from "Art Treasures from Japan"
1951
1969_50_34.jpg
SC 1969.50.34
Kennedy, Clarence
Cabinet with Design of Autumn Grasses and Bamboo Grove in "Maki-e"; late 16th century; from "Art Treasures from Japan"
1951
1969_50_35.jpg
SC 1969.50.35
Kennedy, Clarence
Woman Changing Dress; by Kitagawa Utamaro (1754-1806); from "Art Treasures from Japan"
1951
1969_50_36.jpg
SC 1969.50.36
Kennedy, Clarence
Untitled
1951
1969_50_37.jpg
SC 1969.50.37
Kennedy, Clarence
Album of Insects and Fishes; by Watanabe Kazan; 1837; from "Art Treasures from Japan"
1951
1969_50_38.jpg
SC 1969.50.38
Kennedy, Clarence
Album of Insects and Fishes; by Watanabe Kazan; 1837; from "Art Treasures from Japan"
1951
1969_50_39.jpg
SC 1969.50.39
Kennedy, Clarence
Waves; by Maruyama Okyo (1733-1795); from "Art Treasures from Japan"
1951
1969_50_4.jpg
SC 1969.50.4
Kennedy, Clarence
Woman Changing Dress; by Kitagawa Utamaro (1754-1806); from "Art Treasures from Japan"
1951
1969_50_40.jpg
SC 1969.50.40
Kennedy, Clarence
Waves; by Maruyama Okyo (1733-1795); from "Art Treasures from Japan"
1951
1969_50_41.jpg
SC 1969.50.41
Kennedy, Clarence
Birds and Fishes; by Ito Jakuchu (1716-1800); from "Art Treasures from Japan"
1951
1969_50_42.jpg
SC 1969.50.42
Kennedy, Clarence
Waves; by Maruyama Okyo (1733-1795); from "Art Treasures from Japan"
1951
1969_50_43.jpg
SC 1969.50.43
Kennedy, Clarence
Waves; by Maruyama Okyo (1733-1795); from "Art Treasures from Japan"
1951
1969_50_5.jpg
SC 1969.50.5
Kennedy, Clarence
Konkomyo-saishoo-kyo (Buddhist Scripture), Vol. 8; middle of 8th century; from "Art Treasures from Japan"
1951
1969_50_6.jpg
SC 1969.50.6
Kennedy, Clarence
Kosode (kimono with short hanging sleeves); late 16th century; from "Art Treasures from Japan"
1951
1969_50_7.jpg
SC 1969.50.7
Kennedy, Clarence
Kannon Bosatsu (Buddhist divinity, Sanskrit: Avalokitesvara); 7th century; from "Art Treasures from Japan"
1951
1969_50_8.jpg
SC 1969.50.8
Kennedy, Clarence
Kannon Bosatsu (Buddhist divinity, Sanskrit: Avalokitesvara); 7th century; from "Art Treasures from Japan"
1951
1969_50_9.jpg
SC 1969.50.9
Kennedy, Clarence
Yakushi Nyorai (Buddhist divinity, Sanskrit: Bhaisajyaguru); 9th century; from "Art Treasures from Japan"
1951
1971_1.jpg
SC 1971.1
Kennedy, Clarence
Plate 24. The Relief as a Whole. Portrait of a Lady, Relief. Collection of Mr. and Mrs. Edsel Ford, Detroit. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1926
1973_78_1.jpg
SC 1973.78.1
Kennedy, Clarence
Falconer
n.d.
1973_78_2_a.jpg
SC 1973.78.2a
Kennedy, Clarence
Falconer
n.d.
1973_78_2_b.jpg
SC 1973.78.2b
Kennedy, Clarence
Falconer
n.d.
1973_78_3.jpg
SC 1973.78.3
Kennedy, Clarence
Falconer
1933
1973_78_4.jpg
SC 1973.78.4
Kennedy, Clarence
Falconer
1933
1973_79_1.jpg
SC 1973.79.1
Kennedy, Clarence
The Virgin and Child by Antonio Rossellino
n.d.
1973_79_2.jpg
SC 1973.79.2
Kennedy, Clarence
The Virgin and Child by Antonio Rossellino
n.d.
1973_79_3.jpg
SC 1973.79.3
Kennedy, Clarence
The Virgin and Child by Antonio Rossellino
n.d.
1973_79_4.jpg
SC 1973.79.4
Kennedy, Clarence
The Virgin and Child by Antonio Rossellino
n.d.
1973_79_5.jpg
SC 1973.79.5
Kennedy, Clarence
The Virgin and Child by Antonio Rossellino
n.d.
1973_79_6.jpg
SC 1973.79.6
Kennedy, Clarence
The Virgin and Child by Antonio Rossellino
n.d.
1973_79_7.jpg
SC 1973.79.7
Kennedy, Clarence
The Virgin and Child by Antonio Rossellino
n.d.
1974_9.jpg
SC 1974.9
Kennedy, Clarence
Plate V: Head of the Unicorn from Base; Vol. VIII: The Tomb by Antonio Rossellino for The Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1976_55_1_1.jpg
SC 1976.55.1.1
Kennedy, Clarence
Plate 1. Pierced Tondo Forming the Central Motif. Altar Frontal Executed for the Chapel of the Neroni Family, now the Chapel of the Sacrament, San Lorenzo, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_10.jpg
SC 1976.55.1.10
Kennedy, Clarence
Plate 10. The Head of the Christ-child. The Christ-Child and the Young Saint John, Relief. Arconati-Visconti Collection, Louvre, Paris. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_11.jpg
SC 1976.55.1.11
Kennedy, Clarence
Plate 11. The Head of Saint John. The Christ-Child and the Young Saint John, Relief. Arconati-Visconti Collection, Louvre, Paris. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_12.jpg
SC 1976.55.1.12
Kennedy, Clarence
Plate 12. The Relief as a Whole. Saint Jerome in the Desert, Relief. The Collection of Mr. Joseph Widener, Elkins Park. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_13.jpg
SC 1976.55.1.13
Kennedy, Clarence
Plate 13. The Head of Saint Jerome. Saint Jerome in the Desert, Relief. The Collection of Mr. Joseph Widener, Elkins Park. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_14.jpg
SC 1976.55.1.14
Kennedy, Clarence
Plate 14. Detail of the Drapery. Saint Jerome in the Desert, Relief. The Collection of Mr. Joseph Widener, Elkins Park. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_15.jpg
SC 1976.55.1.15
Kennedy, Clarence
Plate 15. Detail of Youthful Figure. Saint Jerome in the Desert, Relief. The Collection of Mr. Joseph Widener, Elkins Park. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_16.jpg
SC 1976.55.1.16
Kennedy, Clarence
Plate 16. Lion and Lioness. Saint Jerome in the Desert, Relief. The Collection of Mr. Joseph Widener, Elkins Park. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_17.jpg
SC 1976.55.1.17
Kennedy, Clarence
Plate 17. The Relief as a Whole. The Virgin and Child, Relief. Formerly in a Street Shrine on a Palace of the Panciatichi Family, Now in the Bargello, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_18.jpg
SC 1976.55.1.18
Kennedy, Clarence
Plate 18. The Head of the Virgin. The Virgin and Child, Relief. Formerly in a Street Shrine on a Palace of the Panciatichi Family, Now in the Bargello, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_19.jpg
SC 1976.55.1.19
Kennedy, Clarence
Plate 19. The Left Hand of the Virgin. The Virgin and Child, Relief. Formerly in a Street Shrine on a Palace of the Panciatichi Family, Now in the Bargello, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_2.jpg
SC 1976.55.1.2
Kennedy, Clarence
Plate 2. Coat of Arms of the Neroni Family, Surrounded by an Olive Wreath. Altar Frontal Executed for the Chapel of the Neroni Family, now the Chapel of the Sacrament, San Lorenzo, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_20.jpg
SC 1976.55.1.20
Kennedy, Clarence
Plate 20. Detail of the Drapery of the Virgin. The Virgin and Child, Relief. Formerly in a Street Shrine on a Palace of the Panciatichi Family, Now in the Bargello, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_21.jpg
SC 1976.55.1.21
Kennedy, Clarence
Plate 21. The Head of the Child. The Virgin and Child, Relief. Formerly in a Street Shrine on a Palace of the Panciatichi Family, Now in the Bargello, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_22.jpg
SC 1976.55.1.22
Kennedy, Clarence
Plate 22. The Hands of the Child. The Virgin and Child, Relief. Formerly in a Street Shrine on a Palace of the Panciatichi Family, Now in the Bargello, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_23.jpg
SC 1976.55.1.23
Kennedy, Clarence
Plate 23. The Legs of the Child. The Virgin and Child, Relief. Formerly in a Street Shrine on a Palace of the Panciatichi Family, Now in the Bargello, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_24.jpg
SC 1976.55.1.24
Kennedy, Clarence
Plate 24. The Relief as a Whole. Portrait of a Lady, Relief. Collection of Mr. and Mrs. Edsel Ford, Detroit. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_25.jpg
SC 1976.55.1.25
Kennedy, Clarence
Plate 25. The Central Doorway. Decorative Sculpture on the Facade of Santa Maria Novella, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_26.jpg
SC 1976.55.1.26
Kennedy, Clarence
Plate 26. The Central Doorway Seen from One Side Showing the Distribution of the Decorative Carving on the Jambs. Decorative Sculpture on the Facade of Santa Maria Novella, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_27.jpg
SC 1976.55.1.27
Kennedy, Clarence
Plate 27. Decorative Carving on the Doorway. Central Motif of the Lintel. Decorative Sculpture on the Facade of Santa Maria Novella, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_28.jpg
SC 1976.55.1.28
Kennedy, Clarence
Plate 28. Decorative Carving on the Doorway. Fruit and Foliage on the Right Hand Corner of the Lintel. Decorative Sculpture on the Facade of Santa Maria Novella, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_29.jpg
SC 1976.55.1.29
Kennedy, Clarence
Plate 29. Decorative Carving from the Soffit of the Lintel. Decorative Sculpture on the Facade of Santa Maria Novella, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_3.jpg
SC 1976.55.1.3
Kennedy, Clarence
Plate 3. Coat of Arms of the Neroni Family, Surrounded by a Laurel Wreath. Altar Frontal Executed for the Chapel of the Neroni Family, now the Chapel of the Sacrament, San Lorenzo, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_30.jpg
SC 1976.55.1.30
Kennedy, Clarence
Plate 30. One of the Panels from the Soffit of the Arch above the Doorway. Decorative Sculpture on the Facade of Santa Maria Novella, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_31.jpg
SC 1976.55.1.31
Kennedy, Clarence
Plate 31. The Capital of a Pilaster to the Right of the Door. Decorative Sculpture on the Facade of Santa Maria Novella, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_32.jpg
SC 1976.55.1.32
Kennedy, Clarence
Plate 32. A Stemma of the Ruccellai Family, on the Facade. Decorative Sculpture on the Facade of Santa Maria Novella, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_33.jpg
SC 1976.55.1.33
Kennedy, Clarence
Plate 33. The Figure as a Whole. The Magdalen. Santa Trinità, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_34.jpg
SC 1976.55.1.34
Kennedy, Clarence
Plate 34. Head, Facing Front. The Magdalen. Santa Trinità, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_35.jpg
SC 1976.55.1.35
Kennedy, Clarence
Plate 35. Head, Facing One Half Right. The Magdalen. Santa Trinità, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_36.jpg
SC 1976.55.1.36
Kennedy, Clarence
Plate 36. Head, Facing Three-quarters Right. The Magdalen. Santa Trinità, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_37.jpg
SC 1976.55.1.37
Kennedy, Clarence
Plate 37. Head, Facing One Half Left. The Magdalen. Santa Trinità, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_38.jpg
SC 1976.55.1.38
Kennedy, Clarence
Plate 38. Head, Almost in Profile Left. The Magdalen. Santa Trinità, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_39.jpg
SC 1976.55.1.39
Kennedy, Clarence
Plate 39. Head, In Profile to Observer's Left. The Magdalen. Santa Trinità, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_4.jpg
SC 1976.55.1.4
Kennedy, Clarence
Plate 4. The Relief as a Whole. The Virgin and Child, Relief, Pinacoteca, Turin. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_40.jpg
SC 1976.55.1.40
Kennedy, Clarence
Plate 40. Her Right Hand, Holding Vase of Ointment. Palm. The Magdalen. Santa Trinità, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_41.jpg
SC 1976.55.1.41
Kennedy, Clarence
Plate 41. Her Right Hand, Holding Vase of Ointment. Back. The Magdalen. Santa Trinità, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_42.jpg
SC 1976.55.1.42
Kennedy, Clarence
Plate 42. Her Left Hand. In Profile. The Magdalen. Santa Trinità, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_43.jpg
SC 1976.55.1.43
Kennedy, Clarence
Plate 43. Her Left Hand. Partly Turned from the Observer. The Magdalen. Santa Trinità, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_44.jpg
SC 1976.55.1.44
Kennedy, Clarence
Plate 44. Her Left Hand. Back. The Magdalen. Santa Trinità, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_45.jpg
SC 1976.55.1.45
Kennedy, Clarence
Plate 45. Legs. The Magdalen. Santa Trinità, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_46.jpg
SC 1976.55.1.46
Kennedy, Clarence
Plate 46. Her Right Foot. The Magdalen. Santa Trinità, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_5.jpg
SC 1976.55.1.5
Kennedy, Clarence
Plate 5. The Head of the Virgin. The Virgin and Child, Relief, Pinacoteca, Turin. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_6.jpg
SC 1976.55.1.6
Kennedy, Clarence
Plate 6. The Virgin's Left Hand. The Virgin and Child, Relief, Pinacoteca, Turin. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_7.jpg
SC 1976.55.1.7
Kennedy, Clarence
Plate 7. Detail of Drapery. The Virgin and Child, Relief, Pinacoteca, Turin. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_8.jpg
SC 1976.55.1.8
Kennedy, Clarence
Plate 8. The Garland Above the Baby's Head. The Virgin and Child, Relief, Pinacoteca, Turin. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_1_9.jpg
SC 1976.55.1.9
Kennedy, Clarence
Plate 9. The Relief as a Whole. The Christ-Child and the Young Saint John, Relief. Arconati-Visconti Collection, Louvre, Paris. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
SC 1976.55.1a
Kennedy, Clarence
Title Page. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1976_55_2_1.jpg
SC 1976.55.2.1
Kennedy, Clarence
Plate 1. Caryatid. Head, Facing Front. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_10.jpg
SC 1976.55.2.10
Kennedy, Clarence
Plate 10. Pediment. Herakles. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_11.jpg
SC 1976.55.2.11
Kennedy, Clarence
Plate 11. Pediment. Two Figures with Horses at Right. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_12.jpg
SC 1976.55.2.12
Kennedy, Clarence
Plate 12. Pediment. Two Figures with Horses. Tails of Horses. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_13.jpg
SC 1976.55.2.13
Kennedy, Clarence
Plate 13. West Frieze. Athena Mounting Her Chariot. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_14.jpg
SC 1976.55.2.14
Kennedy, Clarence
Plate 14. West Frieze. Hermes Holding the Horses of Athena. Legs. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_15.jpg
SC 1976.55.2.15
Kennedy, Clarence
Plate 15. West Frieze. The Horses of Athena. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_16.jpg
SC 1976.55.2.16
Kennedy, Clarence
Plate 16. West Frieze. The Horses of Athena. Heads. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_17.jpg
SC 1976.55.2.17
Kennedy, Clarence
Plate 17. West Frieze. The Horses of Athena. Legs. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_18.jpg
SC 1976.55.2.18
Kennedy, Clarence
Plate 18. West Frieze. Athena. Drapery. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_19.jpg
SC 1976.55.2.19
Kennedy, Clarence
Plate 19. West Frieze. Aphrodite Descending from Her Chariot. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_2.jpg
SC 1976.55.2.2
Kennedy, Clarence
Plate 2. Caryatid. Head, Facing Two-thirds Right. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_20.jpg
SC 1976.55.2.20
Kennedy, Clarence
Plate 20. West Frieze. Aphrodite(?). Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_21.jpg
SC 1976.55.2.21
Kennedy, Clarence
Plate 21. West Frieze. Aphrodite(?). Head. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_22.jpg
SC 1976.55.2.22
Kennedy, Clarence
Plate 22. West Frieze. Aphrodite(?). Drapery. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_23.jpg
SC 1976.55.2.23
Kennedy, Clarence
Plate 23. West Frieze. The Horses of Aphrodite(?). Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_24.jpg
SC 1976.55.2.24
Kennedy, Clarence
Plate 24. South Frieze. Horses Approaching an Altar. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_25.jpg
SC 1976.55.2.25
Kennedy, Clarence
Plate 25. South Frieze. Trotting Horses and Head of Charioteer. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_26.jpg
SC 1976.55.2.26
Kennedy, Clarence
Plate 26. South Frieze. The Rape of a Daughter of Leukippos. Two Figures and a Chariot. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_27.jpg
SC 1976.55.2.27
Kennedy, Clarence
Plate 27. South Frieze. The Rape of a Daughter of Leukippos. Arms and Drapery. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_28.jpg
SC 1976.55.2.28
Kennedy, Clarence
Plate 28. South Frieze. The Rape of a Daughter of Leukippos. Legs and Drapery. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_29.jpg
SC 1976.55.2.29
Kennedy, Clarence
Plate 29/ East Frieze. First Seated Goddess. (Aphrodite?) Legs and Drapery. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_3.jpg
SC 1976.55.2.3
Kennedy, Clarence
Plate 3. Caryatid. Relief on the Polos - Satyr and Maenad. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_30.jpg
SC 1976.55.2.30
Kennedy, Clarence
Plate 30. East Frieze. Second Seated Goddess. (Artemis?) Head. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_31.jpg
SC 1976.55.2.31
Kennedy, Clarence
Plate 31. East Frieze. Second Seated Goddess. Drapery. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_32.jpg
SC 1976.55.2.32
Kennedy, Clarence
Plate 32. East Frieze. Third Seated Figure. (Apollo?) Head and Torso. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_33.jpg
SC 1976.55.2.33
Kennedy, Clarence
Plate 33. East Frieze. Zeus. Whole. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_34.jpg
SC 1976.55.2.34
Kennedy, Clarence
Plate 34. East Frieze. Arm on the Throne of Zeus. Supported by Satyr and Maenad. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_35.jpg
SC 1976.55.2.35
Kennedy, Clarence
Plate 35. East Frieze. Athena. Drapery. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_36.jpg
SC 1976.55.2.36
Kennedy, Clarence
Plate 36. East Frieze. Chariot Horses Facing Left. Heads of Two Central Horses. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_37.jpg
SC 1976.55.2.37
Kennedy, Clarence
Plate 37. East Frieze. The Battle of the Greeks and Trojans over the Body of Euphorbos. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_38.jpg
SC 1976.55.2.38
Kennedy, Clarence
Plate 38. East Frieze. The Battle of the Greeks and Trojans. Aeneas. Head and Torso. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_39.jpg
SC 1976.55.2.39
Kennedy, Clarence
Plate 39. East Frieze. The Battle of the Greeks and Trojans. Gorgon's Head from the Shield of Menelaos. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_4.jpg
SC 1976.55.2.4
Kennedy, Clarence
Plate 4. Pediment. Whole. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_40.jpg
SC 1976.55.2.40
Kennedy, Clarence
Plate 40. East Frieze. Chariot Horses Facing Right. Heads of the Two Horses to the Left. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_41.jpg
SC 1976.55.2.41
Kennedy, Clarence
Plate 41. North Frieze. Corner Block. Hephaistos and Two Female Figures. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_42.jpg
SC 1976.55.2.42
Kennedy, Clarence
Plate 42. North Frieze. Corner Block. Hephaistos and His Bellows. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_43.jpg
SC 1976.55.2.43
Kennedy, Clarence
Plate 43. North Freeze. Corner Block. Female Figure next [to] Hephaistos. Head and Torso. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_44.jpg
SC 1976.55.2.44
Kennedy, Clarence
Plate 44. North Frieze. Two Giants with Spears and Shields. Whole. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_45.jpg
SC 1976.55.2.45
Kennedy, Clarence
Plate 45. North Frieze. Two Giants with Spears and Shields. Heads. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_46.jpg
SC 1976.55.2.46
Kennedy, Clarence
Plate 46. North Frieze. Two Giants with Spears and Shields. Legs. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_47.jpg
SC 1976.55.2.47
Kennedy, Clarence
Plate 47. North Frieze. Combat of Herakles and Cybele with Two Giants. Head of Herakles. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_48.jpg
SC 1976.55.2.48
Kennedy, Clarence
Plate 48. North Frieze. Combat of Apollo, Artemis and Dionysus with Three Giants. Head of Dionysus. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_49.jpg
SC 1976.55.2.49
Kennedy, Clarence
Plate 49. North Frieze. Combat of Apollo, Artemis and Dionysus with Three Giants. Arm and Shield of Dionysus. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_5.jpg
SC 1976.55.2.5
Kennedy, Clarence
Plate 5. Pediment. Kneeling Figure at Extreme Left. Head. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_50.jpg
SC 1976.55.2.50
Kennedy, Clarence
Plate 50. North Frieze. Combat of Apollo, Artemis and Dionysus with Three Giants. The Three Giants. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_51.jpg
SC 1976.55.2.51
Kennedy, Clarence
Plate 51. North Frieze. Combat of Apollo, Artemis and Dionysus with Three Giants. Head of the First Giant. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_52.jpg
SC 1976.55.2.52
Kennedy, Clarence
Plate 52. North Frieze. Combat of Zeus(?) and Two Giants. Forelegs of Horses. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_53.jpg
SC 1976.55.2.53
Kennedy, Clarence
Plate 53. North Frieze. Combat of Zeus(?) and Two Giants. Head of Second Giant. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_54.jpg
SC 1976.55.2.54
Kennedy, Clarence
Plate 54. North Frieze. Hera Attacking Fallen Giant. Head of Hera. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_55.jpg
SC 1976.55.2.55
Kennedy, Clarence
Plate 55. North Frieze. Combat of Athena and Two Giants. Drapery of Athena. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_56.jpg
SC 1976.55.2.56
Kennedy, Clarence
Plate 56. North Frieze. Combat of Athena and Two Giants. The Two Giants. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_57.jpg
SC 1976.55.2.57
Kennedy, Clarence
Plate 57. North Frieze. Combat of Ares and Two Giants over the Body of a Fallen Giant. Fallen Giant. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_58.jpg
SC 1976.55.2.58
Kennedy, Clarence
Plate 58. North Frieze. Combat of Hermes(?) and Two Giants. Head and Torso of Hermes(?). Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_59.jpg
SC 1976.55.2.59
Kennedy, Clarence
Plate 59. North Frieze. Corner Block. Combat of a God and Two Giants. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_6.jpg
SC 1976.55.2.6
Kennedy, Clarence
Plate 6. Pediment. Manes of Horses at Left. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_60.jpg
SC 1976.55.2.60
Kennedy, Clarence
Plate 60. North Frieze. Corner Block. Combat of a God and Two Giants. The Two Giants. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_61.jpg
SC 1976.55.2.61
Kennedy, Clarence
Plate 61. North Frieze. Corner Block. Combat of a God and Two Giants. Head of a Fallen Giant. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_62.jpg
SC 1976.55.2.62
Kennedy, Clarence
Plate 62. Raking Cornice of Pediment. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_63.jpg
SC 1976.55.2.63
Kennedy, Clarence
Plate 63. Crown Moulding above East Frieze. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_64.jpg
SC 1976.55.2.64
Kennedy, Clarence
Plate 64. Bead and Reel Moulding from Base. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_7.jpg
SC 1976.55.2.7
Kennedy, Clarence
Plate 7. Pediment. Artemis. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_8.jpg
SC 1976.55.2.8
Kennedy, Clarence
Plate 8. Pediment. Apollo. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1976_55_2_9.jpg
SC 1976.55.2.9
Kennedy, Clarence
Plate 9. Pediment. Athena. Studies in the History and Criticism of Sculpture, volume IV: The Treasury of the Siphnians at Delphi
1929
1977_49.jpg
SC 1977.49
Kennedy, Clarence
Plate 24. The Relief as a Whole. Portrait of a Lady, Relief. Collection of Mr. and Mrs. Edsel Ford, Detroit. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
1929
1977_55_1.jpg
SC 1977.55.1
Kennedy, Clarence
Plate 5: Head; Back, Facing One Third Left. from "A Princess of the House of Naples;" Marble: Number 339; Kaiser-Friedrich-Museum, Berlin. Francesco Laurana; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
1977_55_2.jpg
SC 1977.55.2
Kennedy, Clarence
Plate 29: Head, Turned One Third Toward Observer's Left. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
1977_55_3.jpg
SC 1977.55.3
Kennedy, Clarence
Christ Child
n.d.
1977_55_4.jpg
SC 1977.55.4
Kennedy, Clarence
Bird on a Branch
n.d.
1978_9.jpg
SC 1978.9
Kennedy, Clarence
Torso of Buddha (late 8th century); from Toshodaiji (temple), Nara
1952
BOOK NOT DIGITIZED.jpg
SC 1979.2.22
Kennedy, Clarence; Kennedy, Ruth
Winter Lines from a Poem by John Keats
1936
SC 1979.2.24
Kennedy, Clarence
A Letter from Contessina de Bardi to her son
1939
SC 1979.3.24
Kennedy, Clarence; Kennedy, Ruth
Christmas Greeting
1939
1979_43_1.jpg
SC 1979.43.1
Kennedy, Clarence
Menander Cup (silver cup from a villa near Boscoreale; 1st century A.D.)
1948 November
1979_43_10.jpg
SC 1979.43.10
Kennedy, Clarence
Silver Ewer; from a villa near Boscoreale; 1st century A.D.
1948 November
1979_43_11.jpg
SC 1979.43.11
Kennedy, Clarence
Silver Ewer; from a villa near Boscoreale; 1st century A.D.
1948 November
1979_43_12.jpg
SC 1979.43.12
Kennedy, Clarence
Silver Bowl (Patera); from a villa near Boscoreale; 1st century A.D.
1948 November
1979_43_13.jpg
SC 1979.43.13
Kennedy, Clarence
Silver Bowl (Patera); from a villa near Boscoreale; 1st century A.D.
1948 November
1979_43_14.jpg
SC 1979.43.14
Kennedy, Clarence
Silver Wine Cup (Kantharus); from a villa near Boscoreale; Augustan
1948 November
1979_43_15.jpg
SC 1979.43.15
Kennedy, Clarence
Silver Wine Cup (Kantharus); from a villa near Boscoreale; Augustan
1948 November
1979_43_16.jpg
SC 1979.43.16
Kennedy, Clarence
Silver Wine Cup (Kantharus); from a villa near Boscoreale; Augustan
1948 November
1979_43_17.jpg
SC 1979.43.17
Kennedy, Clarence
Silver Wine Cup (Kantharus); from a villa near Boscoreale; Augustan
1948 November
1979_43_18.jpg
SC 1979.43.18
Kennedy, Clarence
Silver Wine Cup (Kantharus); from a villa near Boscoreale; Augustan
1948 November
1979_43_19.jpg
SC 1979.43.19
Kennedy, Clarence
Silver Wine Cup (Kantharus); from a villa near Boscoreale; Augustan
1948 November
1979_43_2.jpg
SC 1979.43.2
Kennedy, Clarence
Menander Cup (silver cup from a villa near Boscoreale; 1st century A.D.)
1948 November
1979_43_20.jpg
SC 1979.43.20
Kennedy, Clarence
Silver Wine Cup (Kantharus); provenance unknown; Augustan
1948 November
1979_43_21.jpg
SC 1979.43.21
Kennedy, Clarence
Silver Wine Cup (Kantharus); provenance unknown; Augustan
1948 November
1979_43_22.jpg
SC 1979.43.22
Kennedy, Clarence
Silver Wine Cup (Kantharus); provenance unknown; Augustan
1948 November
1979_43_23.jpg
SC 1979.43.23
Kennedy, Clarence
Silver Wine Cup (Kantharus); provenance unknown; Augustan
1948 November
1979_43_24.jpg
SC 1979.43.24
Kennedy, Clarence
Silver Wine Cup (Kantharus); provenance unknown; Augustan
1948 November
1979_43_25.jpg
SC 1979.43.25
Kennedy, Clarence
Portrait of a Man; bronze; provenance unknown; 1st century A.D.
1948 November
1979_43_26.jpg
SC 1979.43.26
Kennedy, Clarence
Portrait of a Man; bronze; provenance unknown; 1st century A.D.
1948 November
1979_43_27.jpg
SC 1979.43.27
Kennedy, Clarence
Portrait of a Man; bronze; provenance unknown; 1st century A.D.
1948 November
1979_43_28.jpg
SC 1979.43.28
Kennedy, Clarence
Portrait of a Man; bronze; provenance unknown; 1st century A.D.
1948 November
1979_43_29.jpg
SC 1979.43.29
Kennedy, Clarence
Portrait of a Man; bronze; provenance unknown; 1st century A.D.
1948 November
1979_43_3.jpg
SC 1979.43.3
Kennedy, Clarence
Menander Cup (silver cup from a villa near Boscoreale; 1st century A.D.)
1948 November
1979_43_30.jpg
SC 1979.43.30
Kennedy, Clarence
Portrait of a Man; bronze; provenance unknown; 1st century A.D.
1948 November
1979_43_31.jpg
SC 1979.43.31
Kennedy, Clarence
Marble Portrait of Menander (or Virgil); from the vicinity of Torre Annunziata near Pompeii
1948 November
1979_43_32.jpg
SC 1979.43.32
Kennedy, Clarence
Marble Portrait of Menander (or Virgil); from the vicinity of Torre Annunziata near Pompeii
1948 November
1979_43_33.jpg
SC 1979.43.33
Kennedy, Clarence
Marble Portrait of Menander (or Virgil); from the vicinity of Torre Annunziata near Pompeii
1948 November
1979_43_34.jpg
SC 1979.43.34
Kennedy, Clarence
Marble Portrait of Menander (or Virgil); from the vicinity of Torre Annunziata near Pompeii
1948 November
1979_43_35.jpg
SC 1979.43.35
Kennedy, Clarence
Marble Portrait of Menander (or Virgil); from the vicinity of Torre Annunziata near Pompeii
1948 November
1979_43_36.jpg
SC 1979.43.36
Kennedy, Clarence
Marble Portrait of Menander (or Virgil); from the vicinity of Torre Annunziata near Pompeii
1948 November
1979_43_37.jpg
SC 1979.43.37
Kennedy, Clarence
Marble Urn (Krater); provenance unknown; 1st century B.C.
1948 November
1979_43_38.jpg
SC 1979.43.38
Kennedy, Clarence
Marble Urn (Krater); provenance unknown; 1st century B.C.
1948 November
1979_43_39.jpg
SC 1979.43.39
Kennedy, Clarence
Bronze Lamp Stand; from Bolsena; 1st century A.D.
1948 November
1979_43_4.jpg
SC 1979.43.4
Kennedy, Clarence
Menander Cup (silver cup from a villa near Boscoreale; 1st century A.D.)
1948 November
1979_43_40.jpg
SC 1979.43.40
Kennedy, Clarence
Spring; Plaque: Black Basaltic Ware; English, Wedgwood, 1790
1948 November
1979_43_41.jpg
SC 1979.43.41
Kennedy, Clarence
Spring; Plaque: Black Basaltic Ware; English, Wedgwood, 1790
1948 November
1979_43_42.jpg
SC 1979.43.42
Kennedy, Clarence
Plate 2: Whole, From the Back, Turned Three Quarters Toward the Left from Archaic Statuette of a Warrior: Number 2323; Museum at Delphi; Volume I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
1979_43_43.jpg
SC 1979.43.43
Kennedy, Clarence
Plate 3: Whole, Back from Archaic Statuette of a Warrior: Number 2323; Museum at Delphi; Volume I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
1979_43_44.jpg
SC 1979.43.44
Kennedy, Clarence
Bartlett Aphrodite (BMFA)
n.d.
1979_43_45.jpg
SC 1979.43.45
Kennedy, Clarence
Bartlett Aphrodite (BMFA)
n.d.
1979_43_46.jpg
SC 1979.43.46
Kennedy, Clarence
Bartlett Aphrodite (BMFA)
n.d.
1979_43_47.jpg
SC 1979.43.47
Kennedy, Clarence
Plate 8: Whole, In Profile Toward Observer's Right from The Charioteer of Delphi; Museum at Delphi; Volume I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
1979_43_48.jpg
SC 1979.43.48
Kennedy, Clarence
Plate 8: Whole, In Profile Toward Observer's Right from The Charioteer of Delphi; Museum at Delphi; Volume I, Part One: Three Greek Bronzes; from Studies in the History and Criticism of Sculpture
n.d.
1979_43_49.jpg
SC 1979.43.49
Kennedy, Clarence
Plate 8: Whole, In Profile Toward Observer's Right from The Charioteer of Delphi; Museum at Delphi; Volume I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
1979_43_5.jpg
SC 1979.43.5
Kennedy, Clarence
Menander Cup (silver cup from a villa near Boscoreale; 1st century A.D.)
1948 November
1979_43_50.jpg
SC 1979.43.50
Kennedy, Clarence
Plate 8: Whole, In Profile Toward Observer's Right from The Charioteer of Delphi; Museum at Delphi; Volume I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
1979_43_51.jpg
SC 1979.43.51
Kennedy, Clarence
Plate 9: Whole, Back from The Charioteer of Delphi; Museum at Delphi; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
1979_43_52.jpg
SC 1979.43.52
Kennedy, Clarence
Plate 4: Whole, Front from Male Statuette of the Transitional Period; Museum of Art; Mount Holyoke College; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
1979_43_53.jpg
SC 1979.43.53
Kennedy, Clarence
Plate 7: Whole, From the Back, Turned One Half Toward the Right from Male Statuette of the Transitional Period; Museum of Art; Mount Holyoke College; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
1979_43_54.jpg
SC 1979.43.54
Kennedy, Clarence
Plate 5: Whole, In Profile to Observer's Right from Male Statuette of the Transitional Period; Museum of Art; Mount Holyoke College; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
1979_43_6.jpg
SC 1979.43.6
Kennedy, Clarence
Menander Cup (silver cup from a villa near Boscoreale; 1st century A.D.)
1948 November
1979_43_7.jpg
SC 1979.43.7
Kennedy, Clarence
Silver Wine Cup (Skyphos); from a villa near Boscoreale; 1st century A. D.
1948 November
1979_43_8.jpg
SC 1979.43.8
Kennedy, Clarence
Silver Ewer; from a villa near Boscoreale; 1st century A.D.
1948 November
1979_43_9.jpg
SC 1979.43.9
Kennedy, Clarence
Silver Ewer; from a villa near Boscoreale; 1st century A.D.
1948 November
1979_50_1.jpg
SC 1979.50.1
Kennedy, Clarence
The Virgin and Child
n.d.
1979_50_10.jpg
SC 1979.50.10
Kennedy, Clarence
Plate 23: Decorative Panel now Behind the Altar. Rectangular Base of Candelabrum In Relief; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
1929
1979_50_11.jpg
SC 1979.50.11
Kennedy, Clarence
Plate 31: Capital and Entablature, to Observer's Left, of the Order Enclosing the Vestibule; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
1929
1979_50_12.jpg
SC 1979.50.12
Kennedy, Clarence
Plate 32: Keystone of the Arch Above the Vestibule; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
1929
1979_50_13.jpg
SC 1979.50.13
Kennedy, Clarence
Plate 33: Head of a Cherub in the Spandrel to Observer's Left; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
1929
1979_50_14.jpg
SC 1979.50.14
Kennedy, Clarence
Plate 34: Head of a Cherub in the Spandrel to Observer's Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
1929
1979_50_15.jpg
SC 1979.50.15
Kennedy, Clarence
Plate 35: Pilaster to Observer's Left. Base; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
1929
1979_50_16.jpg
SC 1979.50.16
Kennedy, Clarence
Plate 37: Pilaster to Observer's Left. Adjoining Section: Foliage; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
1929
1979_50_17.jpg
SC 1979.50.17
Kennedy, Clarence
Plate 39: Pilaster to Observer's Left. Capital; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
1929
1979_50_18.jpg
SC 1979.50.18
Kennedy, Clarence
Plate 43: Pilaster to Observer's Right. Capital; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
1929
1979_50_19.jpg
SC 1979.50.19
Kennedy, Clarence
Plate 50: Cornice. Section to Observer's Left; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
1929
1979_50_2.jpg
SC 1979.50.2
Kennedy, Clarence
Plate 6: Southeast Columns of the East Porch; in the Distance the Northwest Corner of the Parthenon; Vol. I, Part Two: The Erechtheion; Studies in the History and Criticism of Sculpture
n.d.
1979_50_20.jpg
SC 1979.50.20
Kennedy, Clarence
Plate 51: Cornice. Left Corner Looking up from Below; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
1929
1979_50_21.jpg
SC 1979.50.21
Kennedy, Clarence
Plate 56: Tympanum. Adoring Putto to Observer's Left. Head, Facing One Half Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
1929
1979_50_3.jpg
SC 1979.50.3
Kennedy, Clarence
Detail of Attendant in Procession, North Frieze of the Parthenon
n.d.
1979_50_4.jpg
SC 1979.50.4
Kennedy, Clarence
Procession of Sacrificial Victims from north frieze of the Parthenon
n.d.
1979_50_5.jpg
SC 1979.50.5
Kennedy, Clarence
Horsemen in Procession from North Frieze of the Parthenon
n.d.
1979_50_6.jpg
SC 1979.50.6
Kennedy, Clarence
Plate 1: Pierced Tondo Forming the Central Motif. from Altar Frontal Executed for the Chapel of the Neroni Family, Now the Chapel of the Sacrament, San Lorenzo, Florence; Vol. VI: The Magdalen and Sculptures in Relief; Studies in the History and Criticism of Sculpture
1929
1979_50_7.jpg
SC 1979.50.7
Kennedy, Clarence
Plate VIII: Right Hand from Upper Angel to Observer's Left; Vol. VII: The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoria; Studies in the History and Criticism of Sculpture
1932
1979_50_8.jpg
SC 1979.50.8
Kennedy, Clarence
Plate V: Head of the Unicorn from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1934
1979_50_9.jpg
SC 1979.50.9
Kennedy, Clarence
Plate 22: Winged Putto in Relief on Base of Candelabrum; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
1929
SC 1979.50a
Kennedy, Clarence
Cover, title page, and colophon from The Unfinished Monument by Andrea del Verrocchio to the Cardinal Niccolo Forteguerri at Pistoia. Studies in the History and Criticism of Sculpture, vol. VII.
n.d.
1983_44_17.jpg
SC 1983.44.17
Kennedy, Clarence
Silver Wine Cup (Kantharus); from a villa near Boscoreale; Louvre
n.d.
1983_44_18.jpg
SC 1983.44.18
Kennedy, Clarence
POMPEIANA 1748-1948
1948
1983_44_19.jpg
SC 1983.44.19
Kennedy, Clarence
Head
n.d.
1983_44_20.jpg
SC 1983.44.20
Kennedy, Clarence
Untitled Frieze of Figures
n.d.
1983_44_21.jpg
SC 1983.44.21
Kennedy, Clarence
Plate 1: Pierced Tondo Forming the Central Motif from Altar Frontal Executed for the Chapel of the Neroni Family, Now the Chapel of the Sacrament. San Lorenzo, Florence; Vol. VI: The Magdalen and Sculptures in Relief; Studies in the History and Criticism of Sculpture
1920's
1983_44_22.jpg
SC 1983.44.22
Kennedy, Clarence
Frieze of Horses' Heads
n.d.
1983_44_23.jpg
SC 1983.44.23
Kennedy, Clarence
Desiderio's Bust of the Christ Child
n.d.
1985_7_4.jpg
SC 1985.7.4
Kennedy, Clarence
Plate 29. Decorative Carving from the Soffit of the Lintel. Decorative Sculpture on the Facade of Santa Maria Novella, Florence. Studies in the History and Criticism of Sculpture, volume VI: The Magdalen and Sculptures in Relief by Desiderio da Settignano
n.d.
1985_7_5.jpg
SC 1985.7.5
Kennedy, Clarence
Plate 40: Pilaster to Observer's Right. Lower Section, Including Base; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
1992_37_1.jpg
SC 1992.37.1
Kennedy, Clarence
Amalfi Landscape
n.d.
1992_37_10.jpg
SC 1992.37.10
Kennedy, Clarence
Plate Va: Death's-head from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
n.d.
1992_37_11.jpg
SC 1992.37.11
Kennedy, Clarence
Plate VI: Garland of fruit from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_12.jpg
SC 1992.37.12
Kennedy, Clarence
Detail of garland of fruit between unicorns; no plate #, variant view related to 1992:37-11; from Base; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
1933
1992_37_13.jpg
SC 1992.37.13
Kennedy, Clarence
Detail of garland of fruit; no plate # from Base; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_14.jpg
SC 1992.37.14
Kennedy, Clarence
VIa: Unicorn, Facing Right from Base; Volume VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_15.jpg
SC 1992.37.15
Kennedy, Clarence
Detail of unicorn, facing right; no plate # from Base; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_16.jpg
SC 1992.37.16
Kennedy, Clarence
Plate VIb: Seated Figure Resting against the Head of a Lioness from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_17.jpg
SC 1992.37.17
Kennedy, Clarence
Seated figure resting against the head of a lioness; no plate # from Base; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_18.jpg
SC 1992.37.18
Kennedy, Clarence
Detail of seated figure resting against the head of a lioness; no plate # from Base; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_19.jpg
SC 1992.37.19
Kennedy, Clarence
Detail of legs of seated figure resting against the head of a lioness; no plate # from Base; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_2.jpg
SC 1992.37.2
Kennedy, Clarence
Plate I: Entrance Arch of the Chapel, and the Tomb from The Chapel of the Cardinal of Portugal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_20.jpg
SC 1992.37.20
Kennedy, Clarence
Plate VIc: Head of the Lioness from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_21.jpg
SC 1992.37.21
Kennedy, Clarence
Plate VII: Bull-slayer from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_22.jpg
SC 1992.37.22
Kennedy, Clarence
Close-up of bull-slayer and head of bull; no plate #, variant view related to 1992:37-21; from Base; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
1933
1992_37_23.jpg
SC 1992.37.23
Kennedy, Clarence
Plate VIIa: Charioteer from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_24.jpg
SC 1992.37.24
Kennedy, Clarence
Plate VIII: Vase from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_25.jpg
SC 1992.37.25
Kennedy, Clarence
Vase; no plate # from Base; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_26.jpg
SC 1992.37.26
Kennedy, Clarence
Vase; no plate # from Base; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_27.jpg
SC 1992.37.27
Kennedy, Clarence
Plate VIIIa: Whole from Sarcophagus; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_28.jpg
SC 1992.37.28
Kennedy, Clarence
Whole;no plate # from Sarcophagus; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_29.jpg
SC 1992.37.29
Kennedy, Clarence
Motive in inlaid marbles from the base; Plate IX from Sarcophagus; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
1933
1992_37_3.jpg
SC 1992.37.3
Kennedy, Clarence
Plate Ia: Whole from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_30.jpg
SC 1992.37.30
Kennedy, Clarence
Plate X: Support from Sarcophagus; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_31.jpg
SC 1992.37.31
Kennedy, Clarence
Plate XI: Whole from Putto at the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_32.jpg
SC 1992.37.32
Kennedy, Clarence
Plate XI: Whole from Putto at the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_33.jpg
SC 1992.37.33
Kennedy, Clarence
Plate XII: Head, Facing Right from Putto at the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_34.jpg
SC 1992.37.34
Kennedy, Clarence
Plate XIIa: Head, Full Front from Putto at the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_35.jpg
SC 1992.37.35
Kennedy, Clarence
Plate XIIb: Whole from Putto at the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_36.jpg
SC 1992.37.36
Kennedy, Clarence
Plate XIIc: Head, Nearly Front from Putto at the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_37.jpg
SC 1992.37.37
Kennedy, Clarence
Plate XIII: Head, Facing Left from Putto at the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_38.jpg
SC 1992.37.38
Kennedy, Clarence
Head of putto; no plate # from Putto at the Foot of the Bier; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_39.jpg
SC 1992.37.39
Kennedy, Clarence
Plate XIV: Left Arm and Hand from Putto at the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_4.jpg
SC 1992.37.4
Kennedy, Clarence
Plate II: Seated Figure Resting against a Lion's Head from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_40.jpg
SC 1992.37.40
Kennedy, Clarence
Plate XIVa: Whole from Figure of the Cardinal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_41.jpg
SC 1992.37.41
Kennedy, Clarence
Plate XV: Head from Figure of the Cardinal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_42.jpg
SC 1992.37.42
Kennedy, Clarence
Plate XVa: Hands and Sleeve from Figure of the Cardinal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_43.jpg
SC 1992.37.43
Kennedy, Clarence
Plate XVI: Hands from Above from Figure of the Cardinal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_44.jpg
SC 1992.37.44
Kennedy, Clarence
Plate XVIa: Head of a Cherub on the Border of the Robe from Figure of the Cardinal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_45.jpg
SC 1992.37.45
Kennedy, Clarence
Head of a cherub on the border of the robe; no plate # from Figure of the Cardinal; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_46.jpg
SC 1992.37.46
Kennedy, Clarence
Plate XVIb: Left Pilaster, Whole from Pilasters Supporting the Attendant Angels; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_47.jpg
SC 1992.37.47
Kennedy, Clarence
Plate XVIc: Right Pilaster, Base from Pilasters Supporting the Attendant Angels; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_48.jpg
SC 1992.37.48
Kennedy, Clarence
Plate XVII: Right Pilaster, Flaming Top of Camdelabrum from Pilasters Supporting the Attendant Angels; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_49.jpg
SC 1992.37.49
Kennedy, Clarence
Plate XVIIa: Head, Front from Angel Bearing a Crown; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_5.jpg
SC 1992.37.5
Kennedy, Clarence
Plate III: Lion's Head from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_50.jpg
SC 1992.37.50
Kennedy, Clarence
Close-up of angel's head; no plate # from Angel Bearing a Crown; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_51.jpg
SC 1992.37.51
Kennedy, Clarence
Plate XVIII: Head, Facing Right from Angel Bearing a Crown; Vol: VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_52.jpg
SC 1992.37.52
Kennedy, Clarence
Plate XVIIIa: Hands and Crown from Angel Bearing a Crown; Vol: VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_53.jpg
SC 1992.37.53
Kennedy, Clarence
Plate XIX: Drapery from Angel Bearing a Crown; Vol: VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_54.jpg
SC 1992.37.54
Kennedy, Clarence
Plate XX: Foot from Angel Bearing a Crown; Vol: VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_55.jpg
SC 1992.37.55
Kennedy, Clarence
Plate XXI: Head, in Profile to the Left from Angel Bearing a Palm; Vol: VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_56.jpg
SC 1992.37.56
Kennedy, Clarence
Head of angel, front view; no plate # from Angel Bearing a Palm; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_57.jpg
SC 1992.37.57
Kennedy, Clarence
Head of angel, front view; no plate # from Angel Bearing a Palm; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_58.jpg
SC 1992.37.58
Kennedy, Clarence
Overall view, figure; no plate # from Angel Bearing a Palm; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_59.jpg
SC 1992.37.59
Kennedy, Clarence
Plate XXII: Arm from Angel Bearing a Palm; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_6.jpg
SC 1992.37.6
Kennedy, Clarence
Plate IV: Cornucopia from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_60.jpg
SC 1992.37.60
Kennedy, Clarence
Detail, hand on knee; no plate # from Angel Bearing a Palm; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_61.jpg
SC 1992.37.61
Kennedy, Clarence
Plate XXIIa: Drapery from Angel Bearing a Palm; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_62.jpg
SC 1992.37.62
Kennedy, Clarence
Plate XXIII: Foot from Angel Bearing a Palm; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_63.jpg
SC 1992.37.63
Kennedy, Clarence
Plate XXIIIa: Cherub's Head at the Base from Tondo Relief of the Madona and Child; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_64.jpg
SC 1992.37.64
Kennedy, Clarence
Plate XXIV: the Virgin and Child from Tondo Relief of the Virgin and Child; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_65.jpg
SC 1992.37.65
Kennedy, Clarence
Overall view, the Virgin and Child; no plate # from Tondo Relief of the Virgin and Child; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_66.jpg
SC 1992.37.66
Kennedy, Clarence
Plate XXV: Head of the Virgin from Tondo Relief of the Virgin and Child; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_67.jpg
SC 1992.37.67
Kennedy, Clarence
Close-up, head of the Virgin; no plate # from Tondo Relief of the Virgin and Child; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_68.jpg
SC 1992.37.68
Kennedy, Clarence
Close-up, head of the Virgin; no plate # from Tondo Relief of the Virgin and Child; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_69.jpg
SC 1992.37.69
Kennedy, Clarence
Close-up, head of the Virgin; no plate # from Tondo Relief of the Virgin and Child; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_7.jpg
SC 1992.37.7
Kennedy, Clarence
Plate IVa: Unicorn, Facing Left from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
n.d.
1992_37_70.jpg
SC 1992.37.70
Kennedy, Clarence
Close-up of child; no plate # from Tondo Relief of the Virgin and Child; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_71.jpg
SC 1992.37.71
Kennedy, Clarence
Plate XXVI: Hand of the Virgin and Feet of the Child from Tondo Relief of the Virgin and Child; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_72.jpg
SC 1992.37.72
Kennedy, Clarence
Plate XXVII: Cherub's Head in the Frame, to the Virgin's Right from Tondo Relief of the Virgin and Child; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_73.jpg
SC 1992.37.73
Kennedy, Clarence
Plate XXVIIa: Cherub's Head in the Frame, to the Virgin's Left from Tondo Relief of the Virgin and Child; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_74.jpg
SC 1992.37.74
Kennedy, Clarence
Plate XXVIIb: Cherub's Head in the Frame, Below the Virgin's Arm from Tondo Relief of the Virgin and Child; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_75.jpg
SC 1992.37.75
Kennedy, Clarence
Plate XXVIIc: Cherub's Head in the Frame, Above the Virgin's Right Shoulder from Tondo Relief of the Virgin and Child; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_76.jpg
SC 1992.37.76
Kennedy, Clarence
Plate XXVIId: Cherub's Head in the Frame, Above the Child's Head from Tondo Relief of the Virgin and Child; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_77.jpg
SC 1992.37.77
Kennedy, Clarence
Plate XXVIII: Detail of the Garland of Fruit from Tondo Relief of the Virgin and Child; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
n.d.
1992_37_78.jpg
SC 1992.37.78
Kennedy, Clarence
Plate XXVIII: Detail of the Garland of Fruit from Tondo Relief of the Virgin and Child; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_79.jpg
SC 1992.37.79
Kennedy, Clarence
Detail of the garland of fruit, to left side, above head of left angel; no plate # from Tondo Relief of the Virgin and Child; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_8.jpg
SC 1992.37.8
Kennedy, Clarence
Cornucopia; Plate V from Base; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
1933
1992_37_80.jpg
SC 1992.37.80
Kennedy, Clarence
Plate XXIX: Upper Part of the Figure from Flying Angel Above the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_81.jpg
SC 1992.37.81
Kennedy, Clarence
Plate XXIXa: Head and Arm from Flying Angel Above the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_82.jpg
SC 1992.37.82
Kennedy, Clarence
Plate XXX: Hands from Flying Angel Above the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_83.jpg
SC 1992.37.83
Kennedy, Clarence
Plate XXXI: Drapery at the Waist from Flying Angel Above the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_84.jpg
SC 1992.37.84
Kennedy, Clarence
Plate XXXIa: Foot from Flying Angel Above the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_85.jpg
SC 1992.37.85
Kennedy, Clarence
Proper left foot of angel, drapery; no plate # from Flying Angel Above the Head of the Bier; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_86.jpg
SC 1992.37.86
Kennedy, Clarence
Plate XXXII: Head from Flying Angel Above the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_87.jpg
SC 1992.37.87
Kennedy, Clarence
Plate XXXIIa: Drapery at the Waist from Flying Angel Above the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_88.jpg
SC 1992.37.88
Kennedy, Clarence
Plate XXXIII: Feet and Flying Drapery from Flying Angel Above the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_89.jpg
SC 1992.37.89
Kennedy, Clarence
Plate XXXIV: Whole from Cherub's Head at the Top of the Tomb; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1992_37_9.jpg
SC 1992.37.9
Kennedy, Clarence
View of center section of base with two unicorns, garlands, skull; no plate # from Base; from Volume VIII, The Tomb by Antonio Rossellino for the Cardinal of Portugal; from Studies in the History and Criticism of Sculpture
n.d.
1992_37_90.jpg
SC 1992.37.90
Kennedy, Clarence
Plate XXXIVa: Left Arm of the Throne from Bishop's Throne Opposite the Tomb; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
1933
1996_22_18.jpg
SC 1996.22.18
Kennedy, Clarence
Diva Beatrix Aragonia
n.d.
1996_22_19.jpg
SC 1996.22.19
Kennedy, Clarence
Diva Beatrix Aragonia
n.d.
1996_22_20.jpg
SC 1996.22.20
Kennedy, Clarence
Diva Beatrix Aragonia
n.d.
1996_22_21.jpg
SC 1996.22.21
Kennedy, Clarence
Plate 25: Whole, Facing Front. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiserio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
n.d.
1996_22_22.jpg
SC 1996.22.22
Kennedy, Clarence
Plate 28: Head, Facing Front. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
n.d.
1996_22_23.jpg
SC 1996.22.23
Kennedy, Clarence
Plate 48: Head, Facing Front. from An Unknown Lady; Wood: Number 622; The Louvre, Paris. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
1996_22_24.jpg
SC 1996.22.24
Kennedy, Clarence
Plate 6: Southeast Columns of the East Porch; in the Distance the Northwest Corner of the Parthenon; Vol. I, Part Two: The Erechtheion; Studies in the History and Criticism of Sculpture
1928
1996_22_25.jpg
SC 1996.22.25
Kennedy, Clarence
Plate 15: West Column of the North Porch from the Northwest; Vol. I, Part Two: The Erechtheion; Studies in the History and Criticism of Sculpture
1928
1996_22_26.jpg
SC 1996.22.26
Kennedy, Clarence
Stone Head
n.d.
1996_22_27.jpg
SC 1996.22.27
Kennedy, Clarence
Lorenzo d'Medici
n.d.
1996_22_28.jpg
SC 1996.22.28
Kennedy, Clarence
Waves
ca. 1951
1996_22_29.jpg
SC 1996.22.29
Kennedy, Clarence
Torso of Buddha (late 8th century)
ca. 1951
1996_22_30.jpg
SC 1996.22.30
Kennedy, Clarence
The Virgin and Child
n.d.
1996_22_31.jpg
SC 1996.22.31
Kennedy, Clarence
Kongo Rikishi (Buddhist Guardian Gods, Sanskrit: Vajirapani; middle of 13th century)
Circa 1951
1996_22_32.jpg
SC 1996.22.32
Kennedy, Clarence
Close-up of Seated Figure's Hands
n.d.
1996_22_33.jpg
SC 1996.22.33
Kennedy, Clarence
Tree with Snow
ca. 1948-1949
1996_22_34.jpg
SC 1996.22.34
Kennedy, Clarence
Snowy landscape with brook and small trees
ca. 1948-1949
1996_22_35.jpg
SC 1996.22.35
Kennedy, Clarence
Ancient Ruins
n.d.
1996_22_36.jpg
SC 1996.22.36
Kennedy, Clarence
Dreyfus Madonna (attributed to Desiderio da Settignano)
n.d.
1996_22_37.jpg
SC 1996.22.37
Kennedy, Clarence
Dreyfus Madonna (attributed to Desiderio da Settignano)
n.d.
1996_22_38.jpg
SC 1996.22.38
Kennedy, Clarence
Diva Beatrix Aragonia (also called Beatrice d'Aragona Hunyadi, Queen of Hungary)
n.d.
1996_22_39.jpg
SC 1996.22.39
Kennedy, Clarence
Diva Beatrix Aragonia (also called Beatrice of Aragon)
n.d.
1996_22_40.jpg
SC 1996.22.40
Kennedy, Clarence
Plate I: East Facade; Vol. I, Part Two: The Erechtheion; Studies in the History and Criticism of Sculpture
1928
1996_22_41.jpg
SC 1996.22.41
Kennedy, Clarence
Ruins (View of The Erechtheion)
n.d.
1996_22_42.jpg
SC 1996.22.42
Kennedy, Clarence
View of the Erechtheion with Porch of the Caryatids
n.d.
1996_22_43.jpg
SC 1996.22.43
Kennedy, Clarence
Close-up of Wood Carving
n.d.
1996_22_44.jpg
SC 1996.22.44
Cunningham, Imogen
Three Heads and Four Hands
1964
1996_22_45.jpg
SC 1996.22.45
Cunningham, Imogen
Alfred Stieglitz
1934
1996_22_46.jpg
SC 1996.22.46
Cunningham, Imogen
William Halliman
1964
1996_22_47.jpg
SC 1996.22.47
Mazzeo, Rosario
Cricket Cages
1959
1996_22_48.jpg
SC 1996.22.48
Bullock, Wynn
Navigation Without Numbers
n.d.
1996_22_49.jpg
SC 1996.22.49
Bullock, Wynn
The Burnt Pilings
n.d.
1996_22_50.jpg
SC 1996.22.50
Gilpin, Laura
Gladys Fowler
1910
1996_22_51.jpg
SC 1996.22.51
Gilpin, Laura
Peaches
1912
1996_22_52.jpg
SC 1996.22.52
Kennedy, Clarence
Desiderio da Settignano St. Cecilia
n.d.
1996_22_53.jpg
SC 1996.22.53
Kennedy, Clarence
Saint Cecilia (by Desiderio da Settignano, 1427-1464)
n.d.
1996_22_54.jpg
SC 1996.22.54
Kennedy, Clarence
Saint Cecilia (by Desiderio da Settignano, 1427-1464)
n.d.
2000_13_1.jpg
SC 2000.13.1
Kennedy, Clarence
Plate 1: Whole, Turned One Half Toward Observer's Right, from Archaic Statuette of a Warrior: No. 2323; Museum at Delphi; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
2000_13_10.jpg
SC 2000.13.10
Kennedy, Clarence
Plate 10: Head, Facing Front from The Charioteer of Delphi; Museum at Delphi; Vol. I, Part One: Three Greek Bronzes; The History and Criticism of Sculpture
n.d.
2000_13_11.jpg
SC 2000.13.11
Kennedy, Clarence
Plate 11: Head, Turned Two Thirds Toward Observer's Right from The Charioteer of Delphi; Museum at Delphi; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
2000_13_12.jpg
SC 2000.13.12
Kennedy, Clarence
Plate 12: Head, in Profile Toward Observer's Right from The Charioteer of Delphi; Museum at Delphi; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
2000_13_13.jpg
SC 2000.13.13
Kennedy, Clarence
Plate 13: His Right Hand from The Charioteer of Delphi; Museum at Delphi; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
2000_13_14.jpg
SC 2000.13.14
Kennedy, Clarence
Plate 15: His Feet, Turned One Half Toward Observer's Right from The Charioteer of Delphi; Museum at Delphi; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
2000_13_15.jpg
SC 2000.13.15
Kennedy, Clarence
Plate 17: Hoof: Detail of a Fragment of One of the Horses from The Charioteer of Delphi; Museum at Delphi; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
2000_13_2.jpg
SC 2000.13.2
Kennedy, Clarence
Plate 2: Whole, from the Back, Turned Three Quarters Toward the Left from Archaic Statuette of a Warrior: No. 2323; Museum at Delphi; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
2000_13_3.jpg
SC 2000.13.3
Kennedy, Clarence
Plate 3: Whole, Back from Archaic Statuette of a Warrior: No.2323; Museum at Delphi; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
2000_13_4.jpg
SC 2000.13.4
Kennedy, Clarence
Plate 4: Whole, Front from Male Statuette of the Transitional Period; Museum of Art; Mount Holyoke College; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
2000_13_5.jpg
SC 2000.13.5
Kennedy, Clarence
Plate 5: Whole, in Profile To Observer's Right from Male Statuette of the Transitional Period; Museum of Art; Mount Holyoke College; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
2000_13_6.jpg
SC 2000.13.6
Kennedy, Clarence
Plate 6: Whole, Turned Two Thirds Toward Observer's Left from Male Statuette of the Transitional Period; Museum of Art; Mount Holyoke College; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
2000_13_7.jpg
SC 2000.13.7
Kennedy, Clarence
Plate 7: Whole, from the Back, Turned One Half Toward the Right from Male Statuette of the Transitional Period; Museum of Art; Mount Holyoke College; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
2000_13_8.jpg
SC 2000.13.8
Kennedy, Clarence
Plate 8: Whole, in Profile Toward Observer's Right from The Charioteer of Delphi; Museum at Delphi; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
2000_13_9.jpg
SC 2000.13.9
Kennedy, Clarence
Plate 9: Whole, Back from The Charioteer of Delphi; Museum at Delphi; Vol. I, Part One: Three Greek Bronzes; Studies in the History and Criticism of Sculpture
n.d.
SC 2000.13a
Kennedy, Clarence
Portfolio, Vol. I, Part One: Three Greek Bronzes
n.d.
2000_14_1.jpg
SC 2000.14.1
Kennedy, Clarence
Plate 1: East Facade; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_10.jpg
SC 2000.14.10
Kennedy, Clarence
Plate 20: East Half of Ceiling of North Porch, Showing Opening to the Sky; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_11.jpg
SC 2000.14.11
Kennedy, Clarence
Plate 21: Cornice Block from North Porch, Now to the West of the Building; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_12.jpg
SC 2000.14.12
Kennedy, Clarence
Plate 22: Leaf and Dart Molding from the Cornice of the Cella, Now to the Northeast of the Building; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_13.jpg
SC 2000.14.13
Kennedy, Clarence
Plate 23: Block Recarved and Used in the Byzantine Church; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_14.jpg
SC 2000.14.14
Kennedy, Clarence
Plate 24: Fragment from the Frieze: Shoulders of Woman, Facing Front; No. 284A; Acropolis Museum; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_15.jpg
SC 2000.14.15
Kennedy, Clarence
Plate 25: The Same, Turned One Half Toward Observer's Left; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_16.jpg
SC 2000.14.16
Kennedy, Clarence
Plate 26: Fragment from the Frieze: Group with Kneeling Boy; No. 1073; Acropolis Museum; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_17.jpg
SC 2000.14.17
Kennedy, Clarence
Plate 28: Fragment from the Frieze: Two Girls Advancing; No. 1071; Acropolis Museum; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_18.jpg
SC 2000.14.18
Kennedy, Clarence
Plate 29: Fragment from the Frieze: Seated Woman; No. 1072; Acropolis Museum; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_19.jpg
SC 2000.14.19
Kennedy, Clarence
Plate 30: Fragment from the Frieze: Lower Part of Standing Woman and Seat; Acropolis Museum; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_2.jpg
SC 2000.14.2
Kennedy, Clarence
Plate 3: West Facade; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_20.jpg
SC 2000.14.20
Kennedy, Clarence
Plate 31: Fragment from the Frieze: Torso of Advancing Woman; No. 2825; Acropolis Museum; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_21.jpg
SC 2000.14.21
Kennedy, Clarence
Plate 32: Fragment from the Frieze: Headless Figure of Advancing Woman; No.1074; Acropolis Museum; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_22.jpg
SC 2000.14.22
Kennedy, Clarence
Plate 33: Fragment from the Frieze: Two Figures, One Kneeling, One Standing; No. 1288; Acropolis Museum; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_23.jpg
SC 2000.14.23
Kennedy, Clarence
Plate 34: Fragment from the Frieze: Male Torso; No. 1197; Acropolis Museum; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_3.jpg
SC 2000.14.3
Kennedy, Clarence
Plate 5: Columns of the East Porch, with the North Porch Seen between Them; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_4.jpg
SC 2000.14.4
Kennedy, Clarence
Plate 9: South East Corner of the Porch of the Maidens; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_5.jpg
SC 2000.14.5
Kennedy, Clarence
Plate 10: Southwest Corner of the Erechtheion Seen through the Columns of the Parthenon; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_6.jpg
SC 2000.14.6
Kennedy, Clarence
Plate 11: Porch of the Maidens, Seen through the North Door of the Propylaea; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_7.jpg
SC 2000.14.7
Kennedy, Clarence
Plate 12: North Porch from the Southwest; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_8.jpg
SC 2000.14.8
Kennedy, Clarence
Plate 13: North Porch form the Northwest; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
2000_14_9.jpg
SC 2000.14.9
Kennedy, Clarence
Plate 17: Base of the Northeast Corner Column of the Porch; Vol. I, Part 2: The Erectheion; Studies in the History and Criticism of Sculpture
n.d.
SC 2000.14a
Kennedy, Clarence
Portfolio for Part One, The Erectheion; Vol I; Studies in the History and Criticism of Sculpture
n.d.
2000_15_01.jpg
SC 2000.15.1
Kennedy, Clarence
Plate I: Whole, Facing Front. from "A Princess of the House of Naples;" Marble: Number 339; Kaiser-Friedrich-Museum, Berlin. Francesco Laurana; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_10.jpg
SC 2000.15.10
Kennedy, Clarence
Plate 10: Head, Turned Slightly Farther than in Profile to Observer's Left. from Matteo Palmieri; Marble: Number 160; Bargello, Florence. Antonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_11.jpg
SC 2000.15.11
Kennedy, Clarence
Plate 11: Head, Back, Facing One Half Left. from Matteo Palmieri; Marble: Number 160; Bargello, Florence. Antonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
SC 2000.15.12
Kennedy, Clarence
Plate 12: Whole, Facing Front. from The Young Saint John; Marble: Number 705; The Louvre, Paris. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_13.jpg
SC 2000.15.13
Kennedy, Clarence
Plate 13: Head, Facing Almost Front, Turned Slightly Toward Observer's Right. from The Young Saint John; Marble: Number 705; The Louvre, Paris. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_14.jpg
SC 2000.15.14
Kennedy, Clarence
Plate 14: Head, Almost in Profile to Observer's Right, Turned Slightly Toward Observer. from The Young Saint John; Marble: Number 705; The Louvre, Paris. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_15.jpg
SC 2000.15.15
Kennedy, Clarence
Plate 15: Head, in Profile to Observer's Left. from The Young Saint John; Marble: Number 705; The Louvre, Paris. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_16.jpg
SC 2000.15.16
Kennedy, Clarence
Plate 16: Whole, Facing Front. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_17.jpg
SC 2000.15.17
Kennedy, Clarence
Plate 17: Whole, in Profile to Observer's Left. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_18.jpg
SC 2000.15.18
Kennedy, Clarence
Plate 18: Head, Facing Front. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_19.jpg
SC 2000.15.19
Kennedy, Clarence
Plate 19: Head, Turned Two Thirds Toward Observer's Right. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_02.jpg
SC 2000.15.2
Kennedy, Clarence
Plate 2: Head, Facing Front. from "A Princess of the House of Naples;" Marble: Number 339; Kaiser-Friedrich-Museum, Berlin. Francesco Laurana; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_20.jpg
SC 2000.15.20
Kennedy, Clarence
Plate 20: Head, in Profile to Observer's Right. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_21.jpg
SC 2000.15.21
Kennedy, Clarence
Plate 21: Head, Turned One Third Toward Observer's Left. from The Young Saint John; Terra-cotta: Number 28; Kaiser-Friederich-Museum, Berlin. Attributed to Donatello; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_22.jpg
SC 2000.15.22
Kennedy, Clarence
Plate 22: Whole, in Profile to Observer's Right. from The Young Saint John; Marble: Number 91; Bargello, Florence. Attributed to Atonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_23.jpg
SC 2000.15.23
Kennedy, Clarence
Plate 23: Whole, Turned Slightly Farther than in Profile to Observer's Left. from The Young Saint John; Marble: Number 91; Bargello, Florence. Attributed to Atonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_24.jpg
SC 2000.15.24
Kennedy, Clarence
Plate 24: Head, in Profile toward Observer's Left. from The Young Saint John; Marble: Number 91; Bargello, Florence. Attributed to Atonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_25.jpg
SC 2000.15.25
Kennedy, Clarence
Plate 25: Whole, Facing Front. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_26.jpg
SC 2000.15.26
Kennedy, Clarence
Plate 26: Whole, in Profile to Observer's Right. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_27.jpg
SC 2000.15.27
Kennedy, Clarence
Plate 27: Whole, Back. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_28.jpg
SC 2000.15.28
Kennedy, Clarence
Plate 28: Head, Facing Front. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_29.jpg
SC 2000.15.29
Kennedy, Clarence
Plate 29: Head, Turned One Third Toward Observer's Left. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_03.jpg
SC 2000.15.3
Kennedy, Clarence
Plate 3: Head, Turned One Third Toward Observer's Right. from "A Princess of the House of Naples;" Marble: Number 339; Kaiser-Friedrich-Museum, Berlin. Francesco Laurana; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_30.jpg
SC 2000.15.30
Kennedy, Clarence
Plate 30: Head, in Profile to Observer's Left. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_31.jpg
SC 2000.15.31
Kennedy, Clarence
Plate 31: Head; Back, Facing Two Thirds Left. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_32.jpg
SC 2000.15.32
Kennedy, Clarence
Plate 32: Head; Back, Facing One Half Left. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friederich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_33.jpg
SC 2000.15.33
Kennedy, Clarence
Plate 33: Head; Back, Facing One Third Right. from "Marietta Strozzi;" Marble: Number 123; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_34.jpg
SC 2000.15.34
Kennedy, Clarence
Plate 34: Whole, Facing Front. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_35.jpg
SC 2000.15.35
Kennedy, Clarence
Plate 35: Whole, Back. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friederich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_36.jpg
SC 2000.15.36
Kennedy, Clarence
Plate 36: Head, Facing Front. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_37.jpg
SC 2000.15.37
Kennedy, Clarence
Plate 37: Head, Turned One Third to Observer's Left. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_38.jpg
SC 2000.15.38
Kennedy, Clarence
Plate 38: Head, in Profile to Observer's Right. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_39.jpg
SC 2000.15.39
Kennedy, Clarence
Plate 39: Detail of the Neck of the Dress. from "A Princess of Urbino;" Limestone: Number 125; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_04.jpg
SC 2000.15.4
Kennedy, Clarence
Plate 4: Head, in Profile to Observer's Right. from "A Princess of the House of Naples" Marble: Number 339; Kaiser-Friedrich-Museum, Berlin. Francesco Laurana; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_40.jpg
SC 2000.15.40
Kennedy, Clarence
Plate 40: Whole, Facing Front. from An Unknown Lady; Marble: Number 621; the Louvre, Paris. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_41.jpg
SC 2000.15.41
Kennedy, Clarence
Plate 41: Head, In Profile to Observer's Right. from An Unknown Lady; Marble: Number 621; the Louvre, Paris. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_42.jpg
SC 2000.15.42
Kennedy, Clarence
Plate 42: Head: Back, Facing One Half Left. from An Unknown Lady; Marble: Number 621; the Louvre, Paris. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_43.jpg
SC 2000.15.43
Kennedy, Clarence
Plate 43: Head, Turned Three Quarters toward Observer's Left. from An Unknown Lady; Marble: Number 62; Bargello, Florence. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_44.jpg
SC 2000.15.44
Kennedy, Clarence
Plate 44: Head, in Profile to Observer's Right. from An Unknown Lady; Marble: Number 62; Bargello, Florence. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_45.jpg
SC 2000.15.45
Kennedy, Clarence
Plate 45: Head, Back, Facing One Half Left. from An Unknown Lady; Marble: Number 62; Bargello, Florence. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_46.jpg
SC 2000.15.46
Kennedy, Clarence
Plate 46: Whole, Facing Front. from An Unknown Lady; Wood: Number 622; the Louvre, Paris. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_47.jpg
SC 2000.15.47
Kennedy, Clarence
Plate 47: Whole, in Profile to Observer's Right. from An Unknown Lady; Wood: Number 622; the Louvre, Paris. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_48.jpg
SC 2000.15.48
Kennedy, Clarence
Plate 48: Head, Facing Front. from An Unknown Lady; Wood: Number 622; the Louvre, Paris. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_49.jpg
SC 2000.15.49
Kennedy, Clarence
Plate 49: Head, Turned One Half Toward Observer's Right. from An Unknown Lady; Wood: Number 622; the Louvre, Paris. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_05.jpg
SC 2000.15.5
Kennedy, Clarence
Plate 5: Head; Back, Facing One Third Left. from "A Princess of the House of Naples;" Marble: Number 339; Kaiser-Friedrich-Museum, Berlin. Francesco Laurana; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_50.jpg
SC 2000.15.50
Kennedy, Clarence
Plate 50: Whole, Facing Front. from An Unknown Lady; Stucco: Number 126; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_51.jpg
SC 2000.15.51
Kennedy, Clarence
Plate 51: Whole, in Profile to Observer's Right. from An Unknown Lady; Stucco: Number 126; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_52.jpg
SC 2000.15.52
Kennedy, Clarence
Plate 52: Head, Facing Front. from An Unknown Lady; Stucco: Number 126; Kaiser-Friedrich-Museum, Berlin. Attributed to Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_53.jpg
SC 2000.15.53
Kennedy, Clarence
Plate 53: Whole. from A Sibyl; Marble: Number 135; Kaiser-Friedrich-Museum, Berlin. In the Manner of Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_54.jpg
SC 2000.15.54
Kennedy, Clarence
Plate 54: Head, in Profile to Observer's Right. from A Sibyl; Marble: Number 135; Kaiser-Friedrich-Museum, Berlin. In the Manner of Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_55.jpg
SC 2000.15.55
Kennedy, Clarence
Plate 55: Hand. from A Sibyl; Marble: Number 135; Kaiser-Friedrich-Museum, Berlin. In the Manner of Desiderio Da Settignano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_56.jpg
SC 2000.15.56
Kennedy, Clarence
Plate 56: Whole, Facing Front. from "Giovanni Ruccellai;" Stucco: Number 234; Kaiser-Friedrich-Museum, Berlin. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_57.jpg
SC 2000.15.57
Kennedy, Clarence
Plate 57: Whole, In Profile to Observer's Right. from "Giovanni Ruccellai;" Stucco: Number 234; Kaiser-Friedrich-Museum, Berlin. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_58.jpg
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Kennedy, Clarence
Plate 58: Head, Facing Front. from "Giovanni Ruccellai;" Stucco: Number 234; Kaiser-Friedrich-Museum, Berlin. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_59.jpg
SC 2000.15.59
Kennedy, Clarence
Plate 59: Head, Turned One Third Toward Observer's Right. from "Giovanni Ruccellai;" Stucco: Number 234; Kaiser-Friedrich-Museum, Berlin. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_06.jpg
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Kennedy, Clarence
Plate 6: Base; Name Plate, Now Blank. from "A Princess of the House of Naples;" Marble: Number 339; Kaiser-Friedrich-Museum, Berlin. Francesco Laurana; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_60.jpg
SC 2000.15.60
Kennedy, Clarence
Plate 60: Head, Turned Slightly to Observer's Left. from "Giovanni Ruccellai;" Stucco: Number 234; Kaiser-Friedrich-Museum, Berlin. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_61.jpg
SC 2000.15.61
Kennedy, Clarence
Plate 61: Head, in Profile to Observer's Left. from "Giovanni Ruccellai;" Stucco: Number 234; Kaiser-Friedrich-Museum, Berlin. Florentine School; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_62.jpg
SC 2000.15.62
Kennedy, Clarence
Plate 62: Whole, Facing Front. from Filippo Strozzi; Marble: Number 693; The Louvre, Paris. Benedetto Da Maiano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_63.jpg
SC 2000.15.63
Kennedy, Clarence
Plate 63: Head, Facing Front. from Filippo Strozzi; Marble: Number 693; The Louvre, Paris. Benedetto Da Maiano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_64.jpg
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Kennedy, Clarence
Plate 64: Head, Almost in Profile to Observer's Left. from Filippo Strozzi; Marble: Number 693; The Louvre, Paris. Benedetto Da Maiano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_65.jpg
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Kennedy, Clarence
Plate 65: Head, in Profile to Observer's Left. from Filippo Strozzi; Marble: Number 693; The Louvre, Paris. Benedetto Da Maiano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_66.jpg
SC 2000.15.66
Kennedy, Clarence
Plate 66: Head; Back, Facing One Half Left. from Filippo Strozzi; Marble: Number 693; The Louvre, Paris. Benedetto Da Maiano; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_07.jpg
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Kennedy, Clarence
Plate 7: Base; Relief to Her Right: Reclining Figure. from "A Princess of the House of Naples;" Marble: Number 339; Kaiser-Friedrich-Museum, Berlin. Francesco Laurana; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_08.jpg
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Kennedy, Clarence
Plate 8: Base; Relief to Her Left: Reclining Figure. from "A Princess of the House of Naples;" Marble: Number 339; Kaiser-Friedrich-Museum, Berlin. Francesco Laurana; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
2000_15_09.jpg
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Kennedy, Clarence
Plate 9: Head, in Profile to Observer's Right. from Matteo Palmieri; Marble: Number 160; Bargello, Florence. Antonio Rossellino; Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
SC 2000.15a
Kennedy, Clarence
Portfolio for Vol. III: Certain Portrait Sculptures of the Quattrocento; Studies in the History and Criticism of Sculpture
1928
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Kennedy, Clarence
Portfolio for Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_1.jpg
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Kennedy, Clarence
Plate 1: The Tabernacle, with the Figures Supporting the Candelabra, and the Pieta, as Reconstructed in 1677; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_10.jpg
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Kennedy, Clarence
Plate 10: Figure Whose Left Hand Supports Candelabrum. Head, Facing One Fourth Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 11: Figure Whose Left Hand Supports Candelabrum. Head, Facing One Half Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_12.jpg
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Kennedy, Clarence
Plate 12: Figure Whose Left Hand Supports Candelabrum. Head, in Profile to Observer's Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_13.jpg
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Kennedy, Clarence
Plate 13: Figure Whose Left Hand Supports Candelabrum. Left Hand and Drapery; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 14: Figure Whose Left Hand Supports Candelabrum. Legs Facing One Half Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 15: Figure Whose Right Hand Supports Candelabrum. Whole, Facing One Third Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 16: Figure Whose Right Hand Supports Candelabrum. Whole, Facing Two Thirds Left; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_17.jpg
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Kennedy, Clarence
Plate 17: Figure Whose Right Hand Supports Candelabrum. Head, Facing One Half Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 18: Figure Whose Right Hand Supports Candelabrum. Head, in Profile to Observer's Left; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 19: Figure Whose Right Hand Supports Candelabrum. Right Arm; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 2: The Pieta; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_20.jpg
SC 2000.17.20
Kennedy, Clarence
Plate 20: Figure Whose Right Hand Supports Candelabrum. Legs, Facing Two Thirds Left; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 21: Figure Whose Right Hand Supports Candelabrum. Drapery at Girdle; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 22: Winged Putto in Relief on Base of Candelabrum; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 23: Decorative Panel Now Behind the Altar. Rectangular Base of Candelabrum in Relief; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 24: Decorative Panel Now Behind the Altar. Urn; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 26: Decorative Panel Now Behind the Altar. Flaming Top of Candelabrum in Relief; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 27: Vaulted Vestibule in Relief Leading to the Door of the Sacrament; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_27.jpg
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Kennedy, Clarence
Plate 28: Adoring Angels in Relief Entering from Observer's Left; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_28.jpg
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Kennedy, Clarence
Plate 30: Lunette with Relief of God the Father; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 31: Capital and Entablature, to Observer's Left, of the Order Enclosing the Vestibule; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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Kennedy, Clarence
Plate 3: The Pieta. Head of Christ; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_30.jpg
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Kennedy, Clarence
Plate 32: Keystone of the Arch Above the Vestibule; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_31.jpg
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Kennedy, Clarence
Plate 33: Head of a Cherub in the Spandrel to Observer's Left; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_32.jpg
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Kennedy, Clarence
Plate 34: Head of a Cherub in the Spandrel to Observer's Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_33.jpg
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Kennedy, Clarence
Plate 35: Pilaster to Observer's Left. Base; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_34.jpg
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Kennedy, Clarence
Plate 36: Pilaster to Observer's Left. Lower Section: Vase and Sprays of Foliage; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
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SC 2000.17.35
Kennedy, Clarence
Plate 37: Pilaster to Observer's Left. Adjoining Section: Foliage; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_36.jpg
SC 2000.17.36
Kennedy, Clarence
Plate 38: Pilaster to Observer's Left. Small Vase and Sprays of Foliage; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_37.jpg
SC 2000.17.37
Kennedy, Clarence
Plate 39: Pilaster to Observer's Left. Capital; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_38.jpg
SC 2000.17.38
Kennedy, Clarence
Plate 40: Pilaster to Observer's Right. Lower Section, Including Base; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_39.jpg
SC 2000.17.39
Kennedy, Clarence
Plate 41: Pilaster to Observer's Right. Central Section; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_4.jpg
SC 2000.17.4
Kennedy, Clarence
Plate 4: The Pieta. Christ's Left Arm; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_40.jpg
SC 2000.17.40
Kennedy, Clarence
Plate 42: Pilaster to Observer's Right. Small Vase and Sprays of Foliage; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_41.jpg
SC 2000.17.41
Kennedy, Clarence
Plate 43: Pilaster to Observer's Right. Capital; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_42.jpg
SC 2000.17.42
Kennedy, Clarence
Plate 44: Frieze. Head of Cherub to Observer's Left; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_43.jpg
SC 2000.17.43
Kennedy, Clarence
Plate 45: Frieze. Decorative Motif between Cherub Heads to Observer's Left; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_44.jpg
SC 2000.17.44
Kennedy, Clarence
Plate 46: Frieze. Head of Second Cherub from Observer's Left; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_45.jpg
SC 2000.17.45
Kennedy, Clarence
Plate 47: Frieze. Central Motif with Flaming Torch; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_46.jpg
SC 2000.17.46
Kennedy, Clarence
Plate 48: Frieze. Head of Third Cherub from Observer's Left; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_47.jpg
SC 2000.17.47
Kennedy, Clarence
Plate 49: Frieze. Head of Last Cherub to Observer's Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_48.jpg
SC 2000.17.48
Kennedy, Clarence
Plate 50: Cornice. Section to Observer's Left; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_49.jpg
SC 2000.17.49
Kennedy, Clarence
Plate 51: Cornice. Left Corner Looking up from Below; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_5.jpg
SC 2000.17.5
Kennedy, Clarence
Plate 5: The Pieta. Christ's Loin-Cloth; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_50.jpg
SC 2000.17.50
Kennedy, Clarence
Plate 52: Tympanum; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000-17-51.JPG
SC 2000.17.51
Kennedy, Clarence
Plate 53: Tympanum. Head of Cherub to Observer's Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
1929
2000_17_52.jpg
SC 2000.17.52
Kennedy, Clarence
Plate 54: Tympanum. Adoring Putto to Observer's Left, as Seen from in front of the Tabernacle; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_53.jpg
SC 2000.17.53
Kennedy, Clarence
Plate 55: Tympanum. Adoring Putto to Observer's Left, Seen from One Side, Showing Back; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_54.jpg
SC 2000.17.54
Kennedy, Clarence
Plate 56: Tympanum. Adoring Putto to Observer's Left. Head, Facing One Half Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_55.jpg
SC 2000.17.55
Kennedy, Clarence
Plate 57: Tympanum. Adoring Putto to Observer's Left. Head, in Profile to Observer's Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_56.jpg
SC 2000.17.56
Kennedy, Clarence
Plate 58: Tympanum. Adoring Putto to Observer's Left. Drapery; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_57.jpg
SC 2000.17.57
Kennedy, Clarence
Plate 59: Tympanum. Adoring Putto to Observer's Right; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_58.jpg
SC 2000.17.58
Kennedy, Clarence
Plate 60: Tympanum. Adoring Putto to Observer's Right. Head; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000-17-59.JPG
SC 2000.17.59
Kennedy, Clarence
Plate 61: Tympanum. Christ-Child in the Act of Benediction; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
1929
2000_17_6.jpg
SC 2000.17.6
Kennedy, Clarence
Plate 6: Pieta. The Head of Saint John; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_60.jpg
SC 2000.17.60
Kennedy, Clarence
Plate 62: Tympanum. Christ-Child in the Act of Benediction. Head, Facing Front; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_61.jpg
SC 2000.17.61
Kennedy, Clarence
Plate 64: Tympanum. Christ-Child in the Act of Benediction. Head, in Profile to Observer's Left; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_62.jpg
SC 2000.17.62
Kennedy, Clarence
Plate 65: Tympanum. Christ-Child in the Act of Benediction. Legs; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_63.jpg
SC 2000.17.63
Kennedy, Clarence
Plate 66: Tympanum. Christ-Child. Right Arm and Hand with Fingers Raised in the Act of Benediction; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_64.jpg
SC 2000.17.64
Kennedy, Clarence
Plate 25: Decorative Panel Now Behind the Altar: Vase with Fruit; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_7.jpg
SC 2000.17.7
Kennedy, Clarence
Plate 7: The Pieta. The Left Hand of Saint John; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_8.jpg
SC 2000.17.8
Kennedy, Clarence
Plate 8: Figure Whose Left Hand Supports Candelabrum. Whole, Facing Front; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2000_17_9.jpg
SC 2000.17.9
Kennedy, Clarence
Plate 9: Figure Whose Left Hand Supports Candelabrum. Head, Facing Front; Vol. V: The Tabernacle of the Sacrament, San Lorenzo, Florence; Studies in the History and Criticism of Sculpture
n.d.
2005_33.jpg
SC 2005.33
Kennedy, Clarence
Athena Lemnia
1922 or 1928
2008_27_1.jpg
SC 2008.27
Kennedy, Clarence
Dreyfus Collection: Sculptures
1931 March
2011_42_1.jpg
SC 2011.42.1
Kennedy, Clarence
Plate 1: Whole, Including the Floor Tomb at the Base. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_10.jpg
SC 2011.42.10
Kennedy, Clarence
Plate 10: Putto at Head of Bier; Whole, Facing Four Fifths Right. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_11.jpg
SC 2011.42.11
Kennedy, Clarence
Plate 11: Putto at Head of Bier; Whole, Facing One Half Left. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_12.jpg
SC 2011.42.12
Kennedy, Clarence
Plate 12: Putto at Head of Bier; Head, Facing Front. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_13.jpg
SC 2011.42.13
Kennedy, Clarence
Plate 13: Putto at Head of Bier; Head, Facing Five Sixths Right. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_14.jpg
SC 2011.42.14
Kennedy, Clarence
Plate 14: Putto at Foot of Bier; Whole, Facing One Third Right. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_15.jpg
SC 2011.42.15
Kennedy, Clarence
Plate 15: Putto at Foot of Bier; Whole, in Profile to Observer’s Left. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_16.jpg
SC 2011.42.16
Kennedy, Clarence
Plate 16: Putto at Foot of Bier; Head, Facing One Third Right. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_17.jpg
SC 2011.42.17
Kennedy, Clarence
Plate 17: Putto at Foot of Bier; Head, in Profile to Observer’s Left. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_18.jpg
SC 2011.42.18
Kennedy, Clarence
Plate 18: The Urn and Bier, with the Panelling Above Them. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_19.jpg
SC 2011.42.19
Kennedy, Clarence
Plate 19: Pedestal for the Urn; An Oblong Decorative Panel. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_2.jpg
SC 2011.42.2
Kennedy, Clarence
Plate 2: Base; Sphinx to Observer’s Left. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_20.jpg
SC 2011.42.20
Kennedy, Clarence
Plate 20: Pedestal for the Urn; Square Panel: Vase of Fruit. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_21.jpg
SC 2011.42.21
Kennedy, Clarence
Plate 21: Urn; Winged Shell and Plate with Inscription. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_22.jpg
SC 2011.42.22
Kennedy, Clarence
Plate 22: Urn; Foliage; Acanthus Leaf Enclosing Lower Left Edge. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_23.jpg
SC 2011.42.23
Kennedy, Clarence
Plate 23: Urn; Foliage; Flower and Tendril Near Upper Left Edge. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_24.jpg
SC 2011.42.24
Kennedy, Clarence
Plate 24: Urn; Foliage; Rosette to Right of Inscription. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_25.jpg
SC 2011.42.25
Kennedy, Clarence
Plate 25: Urn; Foliage; Pierced Rosette to Extreme Right. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_26.jpg
SC 2011.42.26
Kennedy, Clarence
Plate 26: Urn; Right Foot. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_27.jpg
SC 2011.42.27
Kennedy, Clarence
Plate 27: Bier, With Reclining Figure. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_28.jpg
SC 2011.42.28
Kennedy, Clarence
Plate 28: Figure of Carlo Marsuppini Seen to Below the Hands. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_29.jpg
SC 2011.42.29
Kennedy, Clarence
Plate 29: Head of Carlo Marsuppini, From Above, in Profile to Observer’s Left. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_3.jpg
SC 2011.42.3
Kennedy, Clarence
Plate 3: Base; Garland to Observer’s Left: Fruits Centre. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_30.jpg
SC 2011.42.30
Kennedy, Clarence
Plate 30: Bier; Decorative Carving and Drapery at the Foot. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_31.jpg
SC 2011.42.31
Kennedy, Clarence
Plate 31: Capital of Pilaster Above Foot of Bier: Detail of Ornament. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_32.jpg
SC 2011.42.32
Kennedy, Clarence
Plate 32: The Virgin and Child Relief, Corrected Lighting. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_33.jpg
SC 2011.42.33
Kennedy, Clarence
Plate 33: The Virgin and Child; Head of the Virgin. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_34.jpg
SC 2011.42.34
Kennedy, Clarence
Plate 34: the Virgin and Child; Drapery, Girdle. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_35.jpg
SC 2011.42.35
Kennedy, Clarence
Plate 35: the Virgin and Child; The Right Hand, Arm and Drapery of the Virgin. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_36.jpg
SC 2011.42.36
Kennedy, Clarence
Plate 36: the Virgin and Child; Head of Child. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_37.jpg
SC 2011.42.37
Kennedy, Clarence
Plate 37: Adoring Angel, Relief, Above Head of Bier. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_38.jpg
SC 2011.42.38
Kennedy, Clarence
Plate 38: Adoring Angel, Relief, Above Head of Bier; Head. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.39
Kennedy, Clarence
Plate 39: Adoring Angel, Relief, Above Head of Bier; Hands and Drapery. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_4.jpg
SC 2011.42.4
Kennedy, Clarence
Plate 4: Base; Garland to Observer’s Left; Right Section: Poppy Pods. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.40
Kennedy, Clarence
Plate 40: Adoring Angel, Relief, Above Foot of Bier. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.41
Kennedy, Clarence
Plate 41: Panel of Soffit: Vase with Pears. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.42
Kennedy, Clarence
Plate 42: Panel of Soffit, Alternate type: Conventionalized Plant. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.43
Kennedy, Clarence
Plate 43: Keystone of the Arch. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.44
Kennedy, Clarence
Plate 44: Cluster of Chestnuts. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.45
Kennedy, Clarence
Plate 45: Youth Bearing Garland Above Head of Bier. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.46
Kennedy, Clarence
Plate 46: Youth Bearing Garland Above Head of Bier; Head, Facing Front. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.47
Kennedy, Clarence
Plate 47: Youth Bearing Garland Above Head of Bier; Head, Facing Two Thirds Left. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.48
Kennedy, Clarence
Plate 48: Youth Bearing Garland Above Head of Bier; Head, Almost in Profile to the Left. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.49
Kennedy, Clarence
Plate 49: Youth Bearing Garland Above Head of Bier; Legs, from the Waist Down. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_5.jpg
SC 2011.42.5
Kennedy, Clarence
Plate 5: Base; Spray of Foliage to Right of Vase. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.50
Kennedy, Clarence
Plate 50: Youth Bearing Garland Above Foot of Bier, Facing One Half Right. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.51
Kennedy, Clarence
Plate 51: Youth Bearing Garland Above Foot of Bier, Nearly in Profile to the Left. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.52
Kennedy, Clarence
Plate 52: Youth Bearing Garland Above Foot of Bier; Head, in Profile to the Right. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.53
Kennedy, Clarence
Plate 53: Youth Bearing Garland Above Foot of Bier; His Left Arm (From the Elbow) and Hand. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.54
Kennedy, Clarence
Plate 54: Youth Bearing Garland Above Foot of Bier: Legs, from the Waist Down. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.55
Kennedy, Clarence
Plate 55: Finial. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.56,57
Kennedy, Clarence
Plate 56 & 57: Head, in Profile to the Left, from base of Finial and Head, Profile to the Right, from Base of Finial [both mounted on one sheet]. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.58
Kennedy, Clarence
Plate 58: Floor Tomb of Gregorio Marsuppini. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
SC 2011.42.59
Kennedy, Clarence
Title page and plate listing. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_6.jpg
SC 2011.42.6
Kennedy, Clarence
Plate 6: Base; Sphinx to Observer’s Right; Wing. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_7.jpg
SC 2011.42.7
Kennedy, Clarence
Plate 7: Base; Sphinx to Observer’s Right; Head. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_8.jpg
SC 2011.42.8
Kennedy, Clarence
Plate 8: Base; Detail of Running Pattern on Upper Molding. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
2011_42_9.jpg
SC 2011.42.9
Kennedy, Clarence
Plate 9: Putto at Head of Bier; Whole, Facing Front. Studies in the History and Criticism of Sculpture, Volume II: The Tomb of Carlo Marsuppini by Desiderio da Settignano and Assistants.
1928
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