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Maker(s):Cage, John
Culture:American (1912-1992)
Title:Changes and Disappearances
Date Made:1979-1981
Type:Print
Materials:Drypoint, engraving, and photo-etching on Twinrocker Gray-Green laid paper
Measurements:Sheet: 11 x 22 in; 27.9 x 55.9 cm
Accession Number:  UM 1981.27
Credit Line:Gift of Mrs. Lois Beurman Torf (Class of 1946) and Mr. Michael K. Torf, Mr. and Mrs. Alan B. Goldberg and Mr. Richard Caves
Museum Collection:  University Museum of Contemporary Art at UMASS Amherst
UM1981-27.jpg

Description:
Unique abstract print composed of solid curved lines, and solid and dashed straight lines.

Label Text:
Excerpt from wall label “What Is Love: Selections from the Permanent Collection,” April 19 – June 3, 2007:
John Cage is mostly known for his work as a composer, but he also produced a number of prints. Changes and Disappearances is one print from a larger series of thirty-five etchings, marking his fourth collaboration with Crown Point Press. Each print was derived from eight copper plates that were then cut into sixty-six smaller plates. The curved edges of each plate were determined by chance droppings of string, an approach inspired by Marcel Duchamp’s earlier work Three Standard Stoppages, 1913. Cage used a system of chance and also consulted the I Ching (the Book of Changes) to determine the number of plates to be used in each etching, ranging from thirteen to forty-five, and to decide whether or not to change the plate during the printing process. The number of colors used also varies from 54 to 298. While the plates are reused, a new composition results each time. - Julie Thomson, (M.A. '07)

Tags:
abstract

Subjects:
Art, Abstract; Engraving; Etching; drypoints (prints)

Link to share this object record:
https://museums.fivecolleges.edu/detail.php?t=objects&type=ext&id_number=UM+1981.27

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