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| Maker(s): | Walker, Kara Elizabeth | | Culture: | American (1969- )
| | Title: | Foote's Gunboats Ascending to Attack Fort Henry, from the series Harper's Pictorial History of the Civil War (Annotated)
| | Date Made: | 2005 plate; 2005 print
| | Type: | Print
| | Materials: | Offset lithograph and silkscreen on Somerset textured paper
| | Place Made: | North America; United States; New York; New York City
| | Measurements: | Frame: 44 in x 58 in x 2 1/4 in; 111.8 cm x 147.3 cm x 5.7 cm; Sheet: 39 1/16 in x 52 15/16 in; 99.2 cm x 134.5 cm; Image: 22 3/8 in x 23 5/8 in; 56.8 cm x 60 cm
| | Narrative Inscription: | SIGNATURE: recto lwr. r. (pencil): KW ; DATE: recto lwr. r. (pencil): 2005 ; EDITION NUMBER: recto lwr. r. (pencil): 1/35 ; ACCESSION NUMBER: verso lwr. r. (pencil): 2012.14.10 ; INSCRIPTION: verso lwr. r. (stamp in amber ink): [illegible] (inscribed in circle)
| | Accession Number: | MH 2012.14.10
| | Credit Line: | Purchase with the Susan and Bernard Schilling (Susan Eisenhart, Class of 1932) Fund and the Belle and Hy Baier Art Acquisition Fund
| | Museum Collection: | Mount Holyoke College Art Museum
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Description: Large, trangular shaped silhouette with bumpy edges and a cave-like cut out in the center, in which the silhouette of a nude male figure is seen crawling to the right. Printed over an image showing a flat, desolate landscape with barren trees. Bits of the river running up the center of the image can be seen under and through the cut-out in the silhouette.
Label Text: Contemporary artist Kara Walker’s work reminds us of the inherent subjectivity of historical perspective. This work is one of 15 prints belonging to Walker’s powerful series in which she enlarges selected images from two volumes of Harper’s Pictorial History of the Civil War (1866–68) and then “annotates” them by superimposing her signature silhouettes, thereby disrupting the original narrative. Walker inserts issues of racial stereotypes, slavery, gender, and the violence of oppression otherwise absent in these mid-19th century representations.
-Ellen Alvord, Weatherbie Curator of Education and Academic Programs, Mount Holyoke College Art Museum (Sept. 2016)
Tags: diaspora; slavery; African American; boats Link to share this object record: https://museums.fivecolleges.edu/detail.php?t=objects&type=ext&id_number=MH+2012.14.10 |
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